Frances matched my expectations almost exactly, which isn’t to say I was incredibly enthralled or disgusted by them. Heading into their set at Mercury Lounge, the only thing I knew about them was that they were an indie-pop outfit fronted by a Columbia Ph.D. So when a meek looking cat in glasses took the stage alongside a nerdy looking bassist, an energetic plaid-clad guitarist, and a pair of women who promptly picked up a violin and a melodica, I can’t say it was the shock of the century. Musically, Frances put forth a solid, albeit unremarkable product. Building tension through a minimalist string and faux-brass section served as Frances’ greatest strength, as they utilized the oft-overblown musical supplement with an artful restraint. Frontman Paul Hogan’s light, melodic voice was supported well by the cast of characters around him, who together create cohesive and pleasant tunes befitting of the college campus that birthed it.
"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.READ the article