With much hype built around Michael Angelakos’ so-called project for his girlfriend (his songs started as a belated Valentine’s Day gift), it didn’t deliver much. Granted, Angelakos and his band were complaining about their synths not working properly, and that could’ve had something to do with it—but for me the songs just didn’t carry over live too well. They couldn’t find the right balance between all their equipment and the sound was just off. Something was always louder than everything else. The EP is great, and perhaps in a not so rushed environment the songs will fare better onstage.
// Short Ends and Leader
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