Playing dreary treble soaked guitar rock, Violens’ sound drew heavily from the Smiths and Morissey. The lead singer’s mumbled, somber melodies were distant and detached, as if singing the songs recreated whatever melancholy motives went into writing them. Super-synthesized keys backed up the heavier guitar sounds, usually in wishy-washy smothering chords. Though the songs were consistently minor-toned, the bass player’s melodic lines hinted at reconciling whatever had got them down to begin with. More interesting rhythms populated most of their songs too, giving you a sense that they were trying to expand the indie rock sound rather than just master it.
"Marina's star shines bright and her iridescent pop shines brighter. Froot is her most solid album yet. Her tour continues into the new year throughout Europe.READ the article