Playing dreary treble soaked guitar rock, Violens’ sound drew heavily from the Smiths and Morissey. The lead singer’s mumbled, somber melodies were distant and detached, as if singing the songs recreated whatever melancholy motives went into writing them. Super-synthesized keys backed up the heavier guitar sounds, usually in wishy-washy smothering chords. Though the songs were consistently minor-toned, the bass player’s melodic lines hinted at reconciling whatever had got them down to begin with. More interesting rhythms populated most of their songs too, giving you a sense that they were trying to expand the indie rock sound rather than just master it.
// Moving Pixels
"SUPERHOTLine Miami provides a perfect case study in how slow-motion affects the pace and tone of a game.READ the article