I’m having welcome flashbacks to Melt-Banana’s “Cat Brain Land” and Queens Of The Stone Age’s “Six Shooter” here, but I can’t remember the last time I saw music this hectic in the flesh. Astonishingly, beneath all the howling and grunting there seems to be a genuine grasp of form: Push, pull, relax, and repeat. Which is to say—the riffs aren’t always the most pleasant thing to take in, and some of those chords would have probably managed to get guitarist Akwetey Orraca-Tetteh excommunicated back in the 1700s, but when the song ends, I feel like they’ve accomplished something, even if I have no clue what just happened.
"Marina's star shines bright and her iridescent pop shines brighter. Froot is her most solid album yet. Her tour continues into the new year throughout Europe.READ the article