For the weekend beginning 18 January, here are the films in focus:
Cloverfield [rating: 9]
Cloverfield is the first great film of 2008
Hype - specifically the viral, Internet marketing kind - has been under the gun recently, thanks in part to the failure in 2006 of Snakes on a Plane. Pimped and overplayed by fans who felt the title alone indicated a pure kitsch confection, the resulting benign b-movie was very good. But compared to the web-based blitzkrieg that came before, excitement and expectations were bound to clash and then be dashed. The failure forced studios to reexamine its information superhighway strategies. It didn’t stop Lost legend J.J. Abrams from embracing the concept for his latest production - the monster destroys Manhattan home movie Cloverfield. Now, after months of speculation and backwards ballyhoo, the novel genre effort has arrived - and it definitely lives up to the propaganda. read full review…
Cassandra’s Dream [rating: 3]
Trying to balance the demands of his well-meaning motives with the requirements of the genre leaves Allen unsettled and ineffective, two words that encompass the creative draught evident in Cassandra’s Dream.
Remember back when the ultimate Woody Allen reference regarding his recent film output went a little something like this - “I prefer his early, funny films.”? Well, there’s a new movie mantra one can use in association with the former American auteur - “I prefer his earlier films, period.” During a self imposed European exile where one return to form (Match Point) has been masked by a series of substantial disappointments, Allen has indicated he will soon return to the US to overhaul is oeuvre. And if Cassandra’s Dream, his latest underperforming offering, is any indication of his motives, the man clearly recognizes the aesthetic slump he is in. read full review…
There Will Be Blood [rating: 9]
When you remove the turn of the century pretext, There Will Be Blood is really nothing more than a battle between two ancient religions - Christianity and Capitalism.
This is the Paul Thomas Anderson that all his past films promised. This is the unbelievably talented young gun whose been accused of channeling Robert Altman for a lack of his own signature style. All reverence and referencing are now officially gone, replaced by a solid conceit which announces the 37 year old as one of his generation’s greatest. How Upton Sinclair’s mannered Oil! became this brilliant dissection of greed and God, stoked by a sensational performance by Daniel Day Lewis as wildcatter Daniel Plainview, will remain part of cinema’s creative karma. Still, all credit to a director for playing outside his contemporary comfort zone, exploring period piece precision in a way that few filmmakers have ever managed to accomplish. In concert with the amazing cinematography and storytelling, we end up with an epic so electric it threatens to destroy everything we know about the medium. read full review…