For the weekend of 5 October, here are the films in focus:
The Heartbreak Kid [rating: 3]
The Heartbreak Kid –- though why it would want to call itself that, seeing as how it slanders the legacy left behind by the Neil Simon/Elaine May original –- is a disaster, an unmitigated humorless horror that never once plays as raunchy or as outrageous as it thinks it is.
It’s time for Ben Stiller to hang it up. Time for him to take his smug self-deprecating smarm and pack it in, along with the pointless pratfalls, the perplexed looks, and the pre-planned pop culture references. None of it works anymore –- as a matter of fact, it hasn’t functioned successfully since he was riffing on Bono and Tom Cruise as part of his failed Fox sketch comedy series. At this point in his superstar status, he’s got enough money to make himself comfortable, and even if he doesn’t, his elderly dad’s F-you cash from Seinfeld and King of Queens will make a nice inheritance. So here’s hoping this normative force in funny business gets the message and moves along. That way, we won’t have to put up with his incredibly awful antics in mindless movies like this latest Farrelly Brothers flop. read full review…
The Seeker: The Dark is Rising [rating: 6]
Though it frequently feels like its missing most of its formative folklore, and trails off into fits of formless meandering about two thirds of the way through, The Seeker is actually a rather good ripping yarn.
Redundancy quickly kills even the most fitting flight of fantasy. Without imagination, or at least some level of innovation, a tale formed by magic/myth feels stale and unoriginal. True, when you boil it down to the basics, what you’re dealing with is the standard good vs. evil paradigm, and one man’s Ewoks are another’s furry footed hobbits. But the key to a successful movie of this type it to avoid the formulaic and cliché to present something new -– or something that, at first glance, appears unanticipated and novel. Such is the case with The Seeker: The Dark is Rising. Based on a series of books by Susan Cooper, this tale of the ages old struggle between The Light and The Dark should feel rote and preordained. But thanks to some interesting performances, a basically believable script, and a fine sense of scope, this kid friendly ersatz take on the Arthurian legend actually works –- at least, for a while. read full review…
Mr. Untouchable [rating: 7]
Potentially undermined by the Ridley Scott/ Denzel Washington/ Russell Crowe drama that’s arriving in theaters this November (American Gangster), Mr. Untouchable is still a compelling, if confused, expose.
It begins with an intriguing premise. In the 1970s, Leroy “Nicky” Barnes ran Harlem’s drug trafficking empire. A slick, savvy street entrepreneur, he created a dynasty rivaled only by those created in fictional Hollywood crime flicks. Along with his crew of dapper associates –- who called themselves The Council –- he used the mostly black community as a basis for a borough wide organization of sale and distribution. Working closely with the Italians, and using as much muscle as necessary to maintain his turf, Barnes flaunted his illegally gained power right in front of the police. Yet no matter how hard they tried, no matter what angle they pursued, they couldn’t take down this urban Don. It earned him a nickname that would eventually lead to his downfall -– Mr. Untouchable. read full review…