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James - 25 September 2008: Chicago, Vic Theater

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Sunday, Sep 28, 2008
Words and Pictures by Kirstie Shanley.

Between bursts of spontaneous dancing and iconic poses, James’ frontman Tim Booth has the charisma and charm to make any set enjoyable. (He’s also the only lead singer I know that can pull off an outfit consisting of a suit jacket and pajama bottoms.) Along with his soaring vocals and spirited camaraderie, Booth is also able to inspire a fully adoring audience.


Playing a sold out show in support of their new album, Hey Ma, James could have very easily crafted a setlist from recent material. Instead, the band chose a well-rounded set of songs with a handful of favorites that only served to increase the audience fervor. Coming to the foot of the stage during “Out to Get You”, Booth let the many hands hold his legs and feet while he sang as if only to a few of us.


The band, which first formed in Manchester, England, in the early ‘80s, received standing ovations for many of their hits including, “Say Something”, “Sit Down”, “Top of the World”, and “Sometimes”. The only missing songs were the stellar tracks found on the brilliant Brian Eno produced Millioniares, which may have been left out due to the album’s unavailability in the States when it was released in 1999.


While James, as a band, deserves all the acclaim it gets, it’s clear that Tim Booth, who has an innate ability to balance pop songs with soft intimate lullabies, is the star of the show. Adept at creating choruses that people appear to instantly remember, he’s also a master at touching the very heart of the matters he speaks of. The audience members made this show a shared experience, singing along to many of the songs without any prompting. It was as if it was impossible not to sing along, even when the lyrics might sound sappy to an outsider as with fan favorite “Sometimes”. As Tim Booth sings, “Sometimes, when I look deep in your eyes, I swear I can see your soul,” you can’t help but feel the sense of how heartfelt his words are. It seems that when Tim Booth sings something, it just ends up feeling right.


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