For the week of Thanksgiving (at least for those of us here, in America), SE&L will look back at some of the stories from earlier in the year which suddenly have renewed relevance.
With Frank Darabont's adaptation of The Mist hitting theaters tomorrow, it's time to reflect on the other Stephen King works in desperate need of a big screen translation.
Back in the ‘80s, it was a running joke. It seemed like, every time you turned around, another Stephen King work - no matter how minor – was being prepped for a cinematic styling or on its way to your local Bijou. To call it overkill would be too simplistic. It was, as if, the man’s massive imagination was being purposefully corralled by an industry that believed his muse was all too fleeting. The “hurry up and hit it” mentality (otherwise known as strike while the iron’s assets are liquid) meant that, in some cases, the film version of a famed tome was in preproduction before the book even made the bestsellers. It was a buyers market and the author had literary real estate to spare. Among his many novels, numerous short stories, and projects purposefully created for the movies, he was a one man idea factory. A funny thing happened on the way to maximum production capacity, however. Audiences began to balk.
At first, all was business as usual. The studios kept churning out the chum, delivering subpar motion pictures and endless, unnecessary sequels. And while they weren’t overwhelmed, the crowds kept coming. But diluting your inventory never results in quality, and before long, King’s name was as marginalized as his turnstile reputation, a lamentable presence in a genre that had long since surpassed his undeniable storytelling expertise. Additionally, the remaining items in his oeuvre were becoming more and more complicated to realize – massive magnum opuses sprawling out over hundreds of pages and dozens of subplots. With visionary elements far exceeding Hollywood’s ability to realize them, and narratives that touched on subjects both controversial and complex, the days of simple story arcs (killer dog, killer car, killer kid) were long over. So while the viewers were turning to other macabre makers, Tinsel Town turned its back on the once heralded cash cow.
But that doesn’t mean King is tapped out. Far from it. As a matter of fact, there are a half dozen or so interesting production possibilities just lying around, waiting to be discovered. At SE&L’s suggestion (and we will gladly accept any and all finder’s fees, thank you), here are six wonderful works that would make riveting entertainment options. We’ve purposely avoided anything already planned (The Talisman, Cell, From a Buick 8) as well as remakes, reimaginings and outright rip-offs. As far as we known, this sextet of stellar novels are languishing in limbo, caught somewhere between 1408’s recent success and past calamities still stinking up the artform. Each one argues for two incontrovertible truths. First, there has never been a man as prolific as Stephen King. And second? That for every mediocre motion picture pried from his prose, there’s a possible gem waiting in the wings, beginning with:
The Long Walk
As part of his Richard Bachman persona, King tackled the dystopian future as only his insular mind could imagine it. The results are this spellbinding thriller about a group of 100 randomly picked boys sent on a mandatory trek across a totalitarian American landscape. With a storyline similar to Speed
(the lads must maintain a certain pace to avoid being ‘warned’ and then ‘ticketed’ by the accompanying soldiers) and a breathtaking narrative drive, it has the makings of a fine action adventure. Even better, the Lord of the Flies
like characters, each one bringing their own precarious personal situation to the contest, allows for endless subplotting and openness. Rumor has it that Frank Darabont owns the rights. If anyone can realize this intricate tale, he can.
Granted, the plot feels like a revamp of the classic Twilight Zone
episode where little Anthony is the “monster” who can create unimaginable evils with his mind, but in a CGI reliant industry desperate for more bitmap magic, this could be the next horror hybrid hit. Maybe studio heads are waiting to see if the similarly styled The Mist
makes a mountain of money come theatrical release time. Remember, King is still considered a tenuous source of material at best. And because this book is another example of his Bachman alter ego, there’s the possibility of a less than bestseller backlash. In the hands of the right visionary director, however, this reality in flux narrative could be a sensational slice of eerie eye candy.
Eye of the Dragon
Why this excellent sword and sorcery epic hasn’t been made into a movie is baffling? After all, if subpar crap like Eragon
can stumble along and stink up a Cineplex with its dumbness and dragons, why not the work of an actual adult writer? Part of the problem, at least at the time of publication, was realizing the more “magical” elements of the story. It was reported that animation was initially suggested, the cinematic category’s open palette more readily capable of bringing the fanciful to life. But just like The Regulators
, the supercomputer has changed the face of filmmaking, and with the proper director – someone in tune with the genre’s inherent pitfalls and possibilities – this excellent example of good old fashioned yarn spinning would make a wonderful bit of wistfulness.
Actresses are always complaining that there are no good roles for them. King, fortunately, loves to feature women in complex, life changing situations. In this very dark single character piece, our heroine Jessie Burlingame finds herself alone, tied up, and very afraid after her husband dies during some rather rough sex. As she lies in bed, hunger and dehydration taking its toll, she recalls horrors from her past, while envisioning even more dreadful terrors in the shadows of her isolated cabin. While it’s true that any star who wanted the part would have to agree to some demanding physical trials (nudity, suggested violence), the rewards would be well worth it. Within the usual setting, the author creates some undeniably powerful prose.
It stands as one of his oddest ideas – an old man, unable to sleep, who can literally see the “strands” or mortality that rise from our body…and the creepy creature killers carrying the scissors to ‘cut’ them. And then there’s the whole abortion subtext filled with dogma and social terrorism. But Insomnia
is still one of the author’s best books, a character driven exploration of mortality and aging drenched in a weird wickedness that is hard to shake. Even better, the book finally explains King’s favorite setting – the paranormal plagued town of Derry. With all this amazing material at their disposal, the right creative team could make something truly special. And with a lot of great actors approaching their twilight years, the casting possibilities are also tempting.
Another Bachman book, another potential for some major acting tour de forces. The story revolves around a mentally deficient con man who decides to kidnap a wealthy couple’s baby for the ransom money. The crime begins to go awry, and Clayton Blaisdell, Jr. (or “Blaze” for short) starts flashing back to his own childhood, and the reasons for his own damaged brain. Imagine this unusual tale told by one of our modern movie icons, or better yet, driven by a fascinating newcomer (like Casey Affleck, perhaps) and you could have a character based dynamo. Though it was written way back in the early ‘70s (in between bouts with Carrie
), there is a modern mentality to the piece that plays perfectly in these desperate post-millennial days.