Live from Abbey Road‘s eighth show (Sundance Channel, Thursday, August 7th at 10 p.m. Eastern and Pacific) begins with a segment on Elbow, the members of which, believe it or not, have been together for nearly two decades now. The performances in this episode are taken exclusively from 2008’s The Seldom Seen Kid, the band’s highest charting album so far, and it’s obvious why. The three songs here are all equally strong, striking compositions. “Grounds for Divorce” is just a really good rock song. “The Bones of You” is particularly affecting in my opinion, with its hypnotic rhythms and Guy Garvey’s stirring voice coupled with a gorgeously haunting lyrical refrain. But “One Day Like This”, featuring an anthemic, sing-along chorus of “Throw those curtains wide / One day like this’d see me right”, is the one that will have you buying the record after you’ve watched this.
MGMT, from Brooklyn, also performs songs exclusively from its 2008 album. Although that probably has a lot to do with the fact that Oracular Spectacular is the band’s debut. The interview bits in this segment are focused on boys being boys on the bus, rather than studio talk. It’s fun to see young musicians more interested in goofing around and then just playing music (rather than steeping themselves in the Abbey Road aura), but it does seem a little incongruous with the style of music MGMT favors.
Live from Abbey Road
Matchbox 20, The Script, Def Leppard
Regular airtime: Thursdays 10 pm
Andrew VanWyngarden and Ben Goldwasser say they each only listen to older stuff and have no real knowledge of current popular culture, and it seems to be working for them. “Electric Feel” has an authentic ‘70s groove, yet it manages to avoid a seeming dated and actually sounds somehow totally new. “Time to Pretend” also has a sense of newness to it, and yet it wouldn’t have sounded out of place in the ‘60s. It’s a musically dreamy, lyrical send-up of the fantastical lives of rock stars, and an amusing and beautiful song. Pay attention to these guys.
Alanis Morissette rounds out this episode, with performances of tracks from a couple of her earlier records. “Hands Clean” from 2002’s Under Rug Swept is a stripped down version of the original, as are all the songs here, reminding us that not only does she possess stunning vocal abilities, but she’s an truly gifted songwriter as well. Morissette speaks of this when she mentions the disillusionment with the idea of fame, saying she now writes music for herself and then shares it so others can make it their own, instead of doing it to be in the public eye. Then she gives a rendition of “Perfect” that is, for lack of better term, perfect.
The episode ends with an acoustic “Hand in my Pocket” that Morissette seems truly pleased to be singing. If there was some sort of unifying theme to this episode (and perhaps to the series as a whole), that might be it. Everyone is really happy to be doing what it is that they are doing, and that comes through in the music, which is as it should be.
Episode 9 - August 14
The Kills, Sara Bareilles, The Fratellis
Episode 10 - August 21
The Subways, Gnarls Barkley, Herbie Hancock w/Sonya Kitchell
Episode 11 - August 28
Bryan Adams, Ben Harper, Justin Currie
Episode 12 - September 4
Teddy Thompson, Martha Wainwright, Brian Wilson
// Sound Affects
"Sharon Jones and Woodie Guthrie knew: great songs belong to everybody.READ the article