I’m not sure what moment in a singer’s development triggers the jettisoning of one’s inbred voice for a contrived, crossbred, and assumed vocal style. They pretend to sing like someone they’re not. Or do they? Maybe they’re actually just conjuring up a past life or an endured yet unsettling emotion that’s inexpressible in their current method of singing and must be articulated. You can probably guess that Miles Benjamin Anthony Robinson is this type of songwriter. In the style of Tom Waits and Bob Dylan, Robinson eschews perfect pitch and lacquered tones for an earnestly distraught and wounded sound. And the informal setting of Joe’s Pub provided an intimate setting to absorb his distinctly raw playing.
Robinson’s recent eponymous release was partially overshadowed by collaborators Chris Taylor and Chris Bear of Grizzly Bear and Kyp Malone of TV on the Radio. But this set—debuting his new backup band “The Family Robinson”—was entirely his own. Carrying a dejected inertia, “Buriedfed” was sullen but with hints of revival while “There Will Be Mud” was the most rousing of the night. Despite his youthful appearance and exuberance onstage (he warned the audience that the new band was certain to fuck up) his weathered voice exudes age. Only “Someday” sounded lyrically adolescent, though Robinson did seem a bit scatterbrained, taking hours to get set and switch guitars between songs. But his uncanny synthesis of Neil Young, Bob Dylan, Tom Petty, Langhorne Slim, and Josh Ritter by being at once familiar and new is intriguing—regardless of his downtrodden vocal source.
// Moving Pixels
"the static speaks my name creates an uncomfortable intimacy between the player and the protagonist.READ the article