Electronica can be a cold beast. The sputters and clicks of a hard drive at work (think Autechre) certainly stimulate the brain, but personally, I rarely get the pure rush of endorphins that a perfect pop song generates. That is what makes Max Tundra’s (born Ben Jacobs) work all the more miraculous: he works in the idiom of electronic music (he has released two albums on Warp), yet his music sounds like that of a child discovering every sound and genre known to man. Mastered By Guy at the Exchange is Aphex Twin waking up on the sunny side of the bed, and “Lysine” is the afternoon trip to the beach. Over skipping percussion and a catchy analog synth line, Ben’s sister Becky Jacobs intones:
I isolate amino acids sometimes
I bottle them and sell them when the sun shines
Cold sores erupt if you don’t keep lysine levels healthy
A tingle on your lip, should come and see me
A helpful and humorous warning, no? Then the Steely Dan bridge comes in and all hell breaks loose [I’m glad Popmatters has given me the opportunity to write sentences like that]. The percussion explodes into so many pieces that I’ve spent the last six years trying to piece it together, and I enjoy it every single time. So much work must have gone into every second of the song, yet it is transcendentally fun. The wait for the next Tundra album has been long, but it is promised some time later this year. My musical blood sugar level is getting low.
// Short Ends and Leader
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