“Come on Baby Say Bang”
by Jane Vain and the Dark Matter
All You Pretty Boys and Girls are all breaking my heart/ They all look so cool that I can hardly tell them apart/ They’re all looking for a little love, power, and control
Let’s stamp the night with vigor/ Whose guns are bigger?/ You can put yours right between my eyes honey/ If you promise to pull the trigger
There are so many admirable turns of phrase and mood in this song that it’s hard to pare them down to a just a few. The nihilistic confidence of the female narrator seethes with equal parts flirtation and crosshair curses. “Stamp the night with vigor” has to be one of my favorite ways of saying “let’s have a good time” because it’s so territorial and domineering as if to say we should cattle brand the evening so that every claim to joy has our signature at its root. Vigor also sounds like such an aristocratic adjective, reeking of equestrian competition and absinthe poured through a slotted spoon onto a sugar cube. As a curmudgeon, I love songs that manage to be blow out clouds of toxic disdain while keeping the rhythm hip-swiveling, finger popping, the very portrait of antiseptic coolness. I reminded of the Kills in the way that the song’s narrator undercuts each compliment with an insult, noting the beauty of the crowd, the homogeneous, robotic beauty. She also impugns any motives that they might have for being fans in the crowd in the first place, noting that the admiration we have for musicians is just as much love as it is a desire to see them fail for failing to fulfill us as passive participants in the performance. Top that off with some good old fashioned suicidal ideation, in the line begging for someone to show the depth of their bravado by putting a bullet hole between her eyes and you have a track that’s a tangle of seduction, snare and psychosis. For a song that sounds like a lilac strewn stroll through a Renaissance Fair, it is indeed a dark and disturbing world.
// Sound Affects
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