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Viewer Discretion Advised: 07 July 2007

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Thursday, Jul 5, 2007


It’s overwhelmingly oppressive, and there’s no relief in sight. No, we’re not talking about the blistering July heat. We’re discussing the absolute dearth of entertainment options available for the interested audience member. Tinsel Town has a few more juicy bon mots waiting in the wings – including a beloved wizard whose fifth film opens one week from today (13 July) – and the basic broadcast networks are regurgitating old reality show faves (Big Brother) to spark excitement. But unless you missed most of last year’s popcorn movie season, the selections provided by the premium pay channels will feel like a severe case of redux déjà vu. Indeed, Saturday night will feel like August 2006 all over again what with the choices offered. Still, there’s some value here, especially the somewhat forced funny business of the SE&L selection. Indeed, you could do a lot worse for your 7 July jollies:


Premiere Pick
Talladega Nights: The Ballad of Ricky Bobby


There was a time there when supposed funnyman Will Ferrell was in danger of dropping far down the list of Hollywood humorists. After a very shaky start in cinema (A Night at the Roxbury, anyone?), the trifecta of Old School/Elf/Anchorman: The Legend of Ron Burgundy substantially shifted his big screen fortunes. But then bad script choices (Kicking and Screaming, Bewitched) threatened to unseat him once again. Turning to Burgundy’s creative team of Adam McKay (writer/director) and Judd Apatow (producer), he twisted the current fixations of NASCAR nation into a sly take on racing and the sport’s beer belly bravado. The result was a solid summer 2006 hit, a box office bonanza additionally aided by the appearance - and supporting performance - of soon to be Borat phenom Sacha Baron Cohen. Sure, some of the jokes are dumb and/or dopey, but the Method madness to the creation of this fictional hero is so detailed that you sometimes forget you are watching fiction – or Will Ferrell. (07 July, Starz, 9PM EST)

Additional Choices
The Devil Wears Prada


Every season, a movie sneaks under the pre-hype radar and illustrates the truth about what audiences really want. In this case, they apparently required a witty, acerbic take on haughty New York couture featuring a fresh faced newcomer and a grand dame diva of the acting trade. And that’s actually what this undeniably charming movie delivered, much to their delight. (07 July, HBO, 8PM EST)

Miami Vice


You’ve got to give Michael Mann points for trying. Who else would take the important iconic elements of their own mid ‘80s TV series – pastel colors, fashion plate cool - and strip them away for a big screen revamp? Granted, Colin Farrell and Jamie Foxx may be enough human eye candy for the neo-nostalgic audiences, but somehow, this is more South Florida Heat than an update of Crockett and Tubbs. (07 July, Cinemax, 10PM EST)

 


An American Haunting


It was advertised as the only true case of a ghost ever killing a man, and for a while, the trade paper ruse worked. Then viewers discovered that the storyline was set in the early 1800’s, and was based on that most unreliable of evidence – the anecdotal kind. And even then, the filmmakers still screwed it up. A powerhouse cast is wasted on a paltry PG-13 spook show. (07 July, ShowTOO, 9:50PM EST)

Indie Pick
Incident at Loch Ness


With his latest fiction film – Rescue Dawn – about to hit theaters, this oddball mock doc from 2004 gives fans and the unfamiliar a chance to see another, more satiric side of famed German auteur Werner Herzog. As a favor to neighbor Zak Penn (A-list Hollywood scribe and self promoter), the director lent his considerable cult of personality to a semi-success spoof about ego, excuses and exploration. Together, Penn and Herzog play themselves, and head out on an expedition to discover the secrets inside Scotland’s most famous lake. In between are staged conversations and conflict, lots of self deprecating humor, and an ending that doesn’t really satisfy. In fact, this is a frequently one note vanity project that trades on Herzog’s calculated cool to appear more substantive and sharp than it really is. Still, with his seductive German accent and well-earned gravitas, it’s always fun to see this Teutonic titan in action – even if the results are rather routine. (10 July, IFC, 2:25PM EST)

Additional Choices
Habit


Vampires don’t get a lot of cinematic respect. Whatever made solid stars of these bloodsucking members of the undead community has long since dissolved into pools of pointlessness and stereotypical slop. So it’s a relief to champion something different within the neckbiter genre, and this amiable indie effort from 1996 is just that. It’s disturbing, sexy, and most importantly, quite original. (08 July, IFC, 10:35PM EST)

Commune


When one thinks of the ‘60s, certain concepts instantly come to mind – The Beatles, free love, flower power, and the agricultural egalitarianism of the shared living community. In this fascinating documentary, writer/director Jonathan Berman explores the real life Black Bear Ranch, and how it was centered more on philosophy than fornication. Indeed, it remains a perfect depiction of the real counterculture.  (09 July, Sundance Channel, 9PM EST)

Fearless Freaks – The Flaming Lips


They’ve been around since 1983, and yet like their brothers in sonic arms, Guided by Voices, The Flaming Lips continuously fall outside the mainstream music scene. Hoping to increase their popular profile, filmmaker Bradley Beesley went about creating a documentary focusing on founder Wayne Coyne, and the dichotomy between his rock and roll and real life personas. It makes for fascinating viewing. (11 July, Sundance Channel, 10PM EST)

Outsider Option
Barton Fink


The Coen Brothers stunned audiences at the 1991 Cannes Film Festival with this brilliant deconstruction of Hollywood hack commercialism and writer’s block. They won the Golden Palm (the highest honor) while Joel earned the best director nod. Even star John Turturro picked up praise – and an award – for his brilliant turn as the title character. Playing a self-important New York playwright whisked off to Tinsel Town to act as patsy to the standard studio merchandising machine (his charge – write wrestling pictures), Fink finds himself locked up in a decrepit hotel, visited frequently by his loud, lumbering next door neighbor (an equally genius turn by co-star John Goodman). When the inability to create becomes too overbearing, he tries to tap fellow scribe W. P. Mayhew for help. He soon learns that a life in service of schlock can kill you – literally. Among their many masterworks, this is one of the siblings most symbolic – and satisfying. (11 July, Indieplex, 7PM EST)

Additional Choices
Curse of the Demon


Symbolism is everything in horror. Give the audience good ghouls and you’ll win them over (almost) every time. Night of the Demon (the original title before a Tinsel Town reedit) offers a floating devil head that is still creepy fifty years later. The rest of the movie is fairly ordinary, but that disembodied fiend will haunt your nightmares for years to come. (6 July, TCM Underground, 2AM EST)

Jolly Roger: Massacre at Cutter’s Cover


How desperate is the slasher film, and those who make them, to rely on a zombie pirate to provide their slice and dice delights? And how derivative is an undead buccaneer, considering the entire plot of the initial Curse of the Black Pearl installment of Disney’s blockbuster franchise? Who knows, and with something this potentially cheesy, who cares? Here’s hoping it’s so bad, it’s good, instead of just plain awful. (08 July, Sci Fi Channel, 3AM EST)

American Gothic


This long forgotten cult creepfest deserves to be rediscovered. It has Oscar winner Rod Steiger and former Munster Yvonne DeCarlo chewing up the scenery as a sinister couple, and an unsettling premise about a backwards/woods family who don’t take kindly to strangers. So naturally, a group of misguided travelers land on their doorstep. Eep! (11 July, Drive-In Classics Canada, 7:15PM EST)

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