Viewer Discretion Advised: 10 February, 2007

By
/ 8 February 2007

Now that the NFL has finished having its way with the populace, paltry Pro Bowl the only thing left on the pigskin schedule before six months of football-free entertainment, it’s a good time to turn back to the premium pay movie channels. Indeed, this week, there’s a decent amount of cinematic goodness to spare. Between a powerful family drama, a glorious drive-in delight from one Tom Laughlin, and a sneak peek at Alfonso Cuarón’s early directorial genius, the main movies featured themselves will provide a tantalizing trio of palpable motion picture possibilities. Toss in a few of the additional choices, and the week beginning 10 February is looking mighty fine. Let’s begin with SE&L’s top selection:

Premiere Pick

The Squid and the Whale

In one of the more intriguing moves of 2006, Entertainment Weekly columnist Stephen King (yes, THAT Stephen King) picked this film to top his year end best-of list. But this is not some Kaiju inspired monster movie. Instead, writer/director Noah Baumbach drew on his own childhood and the divorce of his literary minded parents as the foundation for this deeply heartfelt film. With its perfect performances from Laura Linney and Jeff Daniels, and the unapologetic way it deals with familial strife and subtext, Baumbach has resurrected the kind of interdependent drama that hasn’t been relevant since Ordinary People took home the 1980 Best Picture Oscar. Baumbach even snatched his own nomination, proving that there was more to this movie than one man’s memories. (10 February, Starz, 9PM EST)

Additional Choices

Final Destination 3

The third time is definitely not the charm for this initially inventive horror franchise. While the bloodshed and body count is still very high, the series has definitely moved from suspenseful to schlock. After the opening rollercoaster gag, it’s more of the same old ‘cheating death’ dopiness that actually made the first two films feel fresh. (10 February, HBO, 8PM EST)

ATL

It’s urban crime and violence, Southern style. Shifting the typical hood histrionics to Atlanta, and hoping that the casting of Outkast’s Big Boi would spur some box office interest, this guns and gang gratuity never found an audience beyond its bullets and bodies demographic. Still, music video director Chris Robinson shows great poise behind the lens. (10 February, Cinemax, 10PM EST)

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Saw II

For those wondering what happened to the original Saw‘s perfectly planned puzzle box conceits, the answer is director Darren Lynn Bousman. Arriving with his own designs, and a craving to concentrate on murderous machinery instead of intricate storylines, he almost destroyed a brilliant horror legacy. Thankfully, the original Saw guys were around to set the circumstances straight. (10 February, Showtime, 8PM EST)

Indie Pick

Y Tu Mama Tambien

Those interested in experiencing more amazing cine-magic at the hands of Mexican moviemaker Alfonso “Children of Men” Cuarón need look no further than this 2001 masterwork. What sounds like an incredibly tawdry premise (two young men meet up with a promiscuous older woman for a sex-soaked road trip of self discovery) actually turns into an intelligent look at life, commitment and compassion. So overloaded with energy and vitality that the film practically glows with effervescent sensuality, Cuarón creates a beautiful comedy of character, avoiding the clichéd while tapping directly into the raging hormones of his unbridled machismo males. More importantly, he turns the coming of age catalyst Louisa into a full blown, three dimensional individual. It’s a move we don’t expect from such a storyline, and confirms the genius that would carry Cuarón to bigger and better things. (11 February, IFC, 9PM EST)

Additional Choices

Elephant

Gus Van Zant’s reflection on the massacre at Columbine takes its own sweet time building up to the deadly firefight, but during the long, languid tracking shots, we see how high school frustrations turn into slow burn homicidal rage. With his amateur cast and non-judgmental position, what could have been exploitative is merely masterful. (12 February, IFC, 9PM EST)

Open City

More or less the start of the Neo-realism movement in Italian cinema, Roberto Rossellini used his emerging cinema véité style to capture Rome under Nazi occupation. With its bleak black and white cinematography, ‘us vs. them’ storyline, and emphasis on life during wartime, Rossellini proved that fact supplemented by fiction could create a devastating cinematic statement. (13 February, Sundance, 7PM EST)

Wishing Stairs

The J-horror fad from a few years back brought much of Asia’s obsession with dark-haired ghosts and young girl innocence to the fore. In this Korean scarefest, the students at a private school learn that a set of haunted stairs can be the answer to your prayers – or the beginning of an unending nightmare. (12 February, Sundance, 12AM EST)

Outsider Option

Born Losers

Before Billy Jack, his Trial and his trip to Washington, filmmaker Tom Laughlin introduced the famous half-breed hero in this biker gang gone gonzo exploitation classic. Using the same revenge-oriented narrative he would employ throughout his turn as the titular character, Laughlin imbues his emotionally wounded Vietnam vet (this guy has a chip on his soldier the size of Montana) with enough martial arts moxie to overcome some of the story’s sloppier aspects. Thanks to a stellar supporting cast including Jeremy Slate as the head motorcycle maniac and a group of bad guys with names like Gangrene and Speechless, Laughlin shows his ease with this material. It’s gratuitous gold that would serve him well in the ’70s, when his Mr. Jack became an enigmatic cultural icon. (15 February, Flix, 5PM EST)

Additional Choices

Cactus Flower

It’s incredibly dated, what with its forced free love mantra, and offers the unusual sight of Walter Matthau as a swinging, sex-obsessed dentist. But there is more to Gene Saks adaptation of the silly French farce than meets the idea. It won Laugh-In loon Goldie Hawn an Oscar, more or less legitimizing the creative value of the counterculture. (13 February, TCM, 8PM EST)

The Hand

Leave it to Oliver Stone to make the B-movie standard reanimated limb formula viable again. In this case, cartoonist Michael Caine looses his drawing hand, and his mind, after a particularly nasty car accident. Soon, his vivisected paw comes crawling back for revenge – though the purpose behind its murderous motives are never quite clear. (14 February, ThrilllerMax, 6PM EST)

Creepshow

In a flawless homage to the twist-ending eeriness of the old EC Comics, Stephen King and George Romero deliver one of their best collaborations. Spread out amongst the five excellent examples of storytelling and scares, look for early fright flick turns from Ed Harris, Ted Danson, Leslie Nielsen and Hal Holbrook (14 February, ThrillerMax, 7:50PM EST)
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