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Viewer Discretion Advised: 14 April, 2007

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Thursday, Apr 12, 2007


Buckle up, brave cinematic souls, it’s going to be a bumpy weekend ride. On the premium pay channels alone we have a brazen battle of extremes – the graceful vs. the graceless, the timely vs. the tacky. The shift between the offerings on HBO and Cinemax alone are enough to cause anyone permanent aesthetic whiplash. Still, at least there are recommendable offerings this time around. Some Fridays it’s near impossible finding something worth suggesting. The pickings are a little slimmer in the Independent and Outsider arena. Once you get past SE&L‘s top choices, the alternates are shaky at best. Still, secure yourself in your home theater saddle and prepare to traverse at least a couple of these movies all the way to beyond the blue horizon – or at least to the end of their running time. And if you wander over to any of the other titles talked about for 14 April – well, at least you were warned:


Premiere Pick
United 93


Some still consider it the best film of 2006 – all lack of Oscar love excluded – a sparse and very authentic recreation of the doomed September 11th flight. Others argue that it remains a difficult if not next to impossible movie to enjoy, an experience that so readily places you in the situations playing out on that fateful day that something akin to “entertainment” can’t be found. But there is no denying the artistic impact this movie has had on the cinematic depiction of this American tragedy. Paul Greengrass set the benchmark for all films to follow, and as Oliver Stone’s World Trade Center proved, it’s a hard standard to fulfill. Whether or not the small screen will lessen any of the narrative’s impact remains to be seen, but one thing is definitely for certain. United 93 will stand in motion picture history as one of the most honest, truest, and most touching films ever made about a horrible act of terrorism. (14 April, HBO, 8PM EST)

Additional Choices
Big Momma’s House 2


Groan…it’s Martin Lawrence doing the cash grab thing again, and audiences are wise to his ruse. There is nothing more outwardly disturbing than an African American comedian, copying another of his ethnic counterparts – in this case, Eddie Murphy – in making fun of their own race. Women of color – especially LARGE women of color – should find these scrawny screw-ups and kick their asses – immediately. (14 April, Cinemax, 10PM EST)

Keeping Up with the Steins


Consider it a Jewish My Super Sweet 16 as the title family creates the kind of over the top bar mitzvah that is all too common nowadays. Of course, director Scott Marshall (son of filmmaker Gary) can’t leave well enough alone, having to impart his good natured comedy with as much pathos and pap as possible. He even manages to get his elderly dad to drop trou for the camera. Talk about your unnecessary rites of passage. (14 April, Starz, 9PM EST)


Capote


This is the movie that finally won Phillip Seymour Hoffman his long overdue Oscar. That’s good. It’s also the film that so completely overwhelmed the In Cold Blood zeitgeist that the equally wonderful Infamous got swept under the theatrical table. That’s bad. Offering a sensational chance to compare and contrast, this subtle Oscar bait of an effort is first up on the premium pay cable channels. (14 April, Showtime, 9PM EST)

Indie Pick
The Coffin Joe Trilogy


Jose Mojica Marins is one of the most misunderstood filmmakers in his native Brazil. A deeply religious country, many find his affronts toward the church and God to be outright blasphemy, and he has spent more time defending his work than creating more of it. Thanks to DVD, and a long growing cult of international horror fans, we have a chance to experience what the South American populace finds so scandalous. And indeed, Marins is a man courting controversy every step of the way. The three films being offered here – At Midnight I’ll Take Your Soul, This Night I Will Possess Your Corpse, and Awakening of the Beast  - are considered by many to be the best of the director’s early works. They definitely do a fascinating job of establishing his onscreen alter ego – the power mad Prince of Darkness Coffin Joe. So grab a bowl of popcorn, dim all the lights, and be prepared to have this Brazilian wonder completely mesmerize you. (19 April, IFC, 9PM EST)

Additional Choices
Leaving Normal


Christine Laiti and Meg Tilly play less brash versions of Thelma and Louise in this girl power road pic directed by future epic helmer Edward Zwick. In fact, comparisons between the two films probably killed Normal‘s chances at the box office. Of course, the clunky script (by broad comedy scribe Ed “Bill & Ted’s Excellent Adventure” Solomon) didn’t help. Instead of compelling, this films goes cockeyed, crazy, and then cloying. (14 April, Sundance, 12PM EST)

Leaving Las Vegas


Many in his current fanbase may not know that Nicholas Cage was once a serious actor. A decade or so lost in action hero la-la land will create such artistic amnesia. Right before he sold-out for the sake of a paycheck, he provided this devastating turn as an alcoholic, self-destructive man. Planning on drinking himself to death, he brings Elizabeth Shue’s prostitute along on his depressing, downward spiral. The result is acting aces. (15 April, IFC, 10:45PM EST)

Pray


It starts out like your typical kidnapping story – a desperate couple swipes a child and contacts the parents looking for ransom. That’s when they get the shattering news – said hostage has been dead for over a year! Guess its time to bring on the unsettled spirits and ghost gals covered in black stringy, spook show hair. But thanks to some psychological tension, and a nice helping of gore, we survive the stereotyping. (16 April, Sundance, 12AM EST)

Outsider Option
Coffy/Foxy Brown


It needs to be said so let’s just come right out and say it – Pam Grier is FINE! Even today, as she enters a more ‘mature’ phase of life, the lady is a looker in all the right ways. But back when she was the queen of the blaxploitation scene, she was scalding sex incarnate. Not only that, but she could kick some major bad guy booty as well. Featuring two of her most infamous roles, Turner Classic Movie’s Underground series (with or without host Rob Zombie – who knows anymore) will give modern audiences a chance to experience this first lady of fisticuffs, though it will be interesting to see what they do with the whole violence/language/nudity thing. There is a great deal of all in both. Cutting these films would be a crime, especially since their taboo-busting elements were what made them so special in the first place.  (13 April, Turner Movie Classics, 2AM EST)

Additional Choices
Phantasm II


With Anchor Bay celebrating Don Coscarelli’s life behind the camera in DVD form, here is one movie that won’t be making it onto the digital domain anytime soon – at least, in Region 1. Thanks to rights issues with Universal, this superior sequel to the director’s definitive fright flick remains MIA. And that’s too bad, since it’s a sensationally sick revisit to the world of Reggie and Mike – and that maniacal monster The Tall Man. (14 April, ThrillerMax, 11:50PM EST)

Electra Glide in Blue


Hail Canada! Thanks to their quirky b-movie channel, this amazing Robert Blake vehicle from 1973 is getting another North American release. Playing a motorcycle cop whose desperate to make the Homicide division, we wind up with a taut thriller couched in the old ‘be careful what you wish for’ conceit. Though many know him today as an accused killer, Blake was an amazing actor, and this able actioner more than proves it. (17 April, Drive In Classics, Canada, 11PM EST)

84 Charing Cross Road


Anne Bancroft and Anthony Hopkins are long distance pen pals in this ersatz romance from British filmmaker David Hugh Jones. Based on a true story, this charming case of Trans Atlantic correspondence (between a NY script reader and a UK book shop owner) grows into a real primer of friendship, love and life. Those looking for a sensational “sleeper” will definitely enjoy this effort. (19 April, Indieplex, 7:15PM EST)

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