OOOO – it’s a bad week for DVDs. One of the worst in recent memory. It’s hard to figure out where the problem lies. There is lots of product sitting around, big title films from 2006 and recently released underachievers that could easily overpower the marketplace this week. It’s merely a matter of tweaking the turnaround time. Similarly, a holiday like Easter should have no effect on the sell-through strategy of your typical Tinsel Town tyrant. All manner of horror, science fiction and gratuitous genre offerings swamp the equally religious Christmas season year in and year out. Maybe it’s the commercial calm before the substantial shilling storm. Whatever the case, be prepared to be massively disappointed when you head to your favorite B&M this week. Aside from a couple of compelling titles – including the solid SE&L pick – there is nothing but double dips and drek on board for 10 April:
Payback: Straight Up – The Director’s Cut
One of the beauties of DVD – among its many technical joys – is the concept of artistic appreciation. Unlike VHS, which couldn’t find a way to include the perspective with its product, or laserdisc which lost its battle for cinematic celebration thanks to limited appeal, the tiny aluminum disc has revolutionized the way films are featured and/or frozen in time. Take this unusual reissue. Back in 1999, with his career taking a necessary downturn, manic Mel Gibson decided to get good and gritty with this taut little thriller. Paramount, unhappy with the way things turned out, booted Oscar winning writer/director Brian Helgeland off the project, re-edited and rescored the film (with Gibson’s input), and released it to minor box office success. Now, the original man behind the lens gets a chance to air out his version of the movie for interested fans. The buzz has been unbelievably positive, and argues for DVD’s place as the perfect preservationist medium. Even with limited audience interest, certain films can still find fans and flourish. This is clearly the case here.
Other Titles of Interest
, which took the unsettling reality of the assassination of President Kennedy and turned it into a surreal social litmus test, Emilio Estevez’s Altman-esque approach to the death of candidate RFK is not so confrontational. Instead, it’s a reactive effort, with the events of the day reflected within its multi-character conceit. A clear critical “love it or hate it” project, there is still a brilliant movie to be made of this undeniable tragedy. Sadly, Estevez misses it by a couple of well-meaning miles.
My Father, the Genius
While it sounds like the standard indie film fodder – neglected child makes a movie about the eccentric father who failed to love her long ago – the best thing about this ditzy documentary is how balanced it is. Lucy Small is not out to vilify her dad, just understand him. And she takes us along for the revelatory ride. The result is an inside look at famed architect Glen Howard Small and the many parenting pitfalls he left behind.
Phantasm/ Phantasm III
Instead of going the Region 2 route, and offering a collection of all the Phantasm films, newly remastered and presented in a signature silver orb, Anchor Bay is applying a piecemeal approach. First up is Don Coscarelli’s initial classic, fully dressed with an anamorphic image and excellent extras. The third installment is no so lucky. It gets a packaging polish, but little else. While less than definitive, the old DVD saying of Region 1 beggars not being choosers apparently applies.
Slaughter Night (Sl8N8)
When it comes to international horror, no one is looking to the Netherlands for their genre jones. But with Slachtnacht
(translation: Slaughter Night
) a nation noted for its liberal policies toward drugs and sex can now safely secure a place in the pantheon of the paranormal. While not everything is original about this subterranean slasher film (it takes place in an abandoned mine) fright fans will still have a very good – and gory – time.
Along with the Phantasm films, Anchor Bay continues to celebrate the directing efforts of Don Coscarelli with this little seen survivalist thriller. Starring b-movie legend Lance Henriksen as a Outward Bound-like instructor who must push his city slicking students into learning to co-existence with nature, this collision with a group of mindless militia types has some nice characterization, and a great deal of Coscarelli’s signature invention and wit.
And Now for Something Completely Different
Video Violence 1 & 2
Every once in a while, SE&L
steps up and offers a motion picture PSA, a stern cinematic warning to be heeded at all creative costs. In this case, a company called Camp Motion Pictures is giving DVD a decidedly black eye. It’s releasing what can best be described as bottom of the barrel, direct to video dung circa the mid-‘80s on an unsuspecting genre fanbase. These filmic flim flam artists would have you believe that this pair of titles, nothing more than Super VHS gore goofiness from the Greed Decade, represents some manner of MIA motion picture macabre masterworks. In reality, these efforts are repugnant, the kind of amateur atrocity that the readily available 21st century technology is supposed to destroy. Don’t get caught up in the horror hype, or think that, somehow, independent director Gary Cohen has managed to create some kind of camp or kitsch classics. Instead, these awful offerings will test the terror tolerance levels of even the most devoted fan of off-title trash.
// Moving Pixels
"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.
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