It’s almost here – the Summer movie season is just a mere eight weeks away. Time to drop as many of 2006’s late arrival titles on the unsuspecting DVD audience as possible. Once a certain spidered man starts slinging his webs around the 6th of May, the suits inside the studios will be concentrating on how well their would-be blockbusters are doing at the Cineplex, not how many copies of last year’s lamentable romantic comedy they’ve sold. So be wary when traveling to your favorite home theater depot. Interspersed among the timeless classics and new-fangled franchise efforts are a boatload of bullstuff, all aiming to drain away the last of your yet to be determined dollars. So choose wisely as you walk the aisles this 13 March, and try to avoid the elephantine hype surrounding our SE&L selection for this week:
It seems like, every few years, spy film fans go through the James Bond jitters, Either they’re fed up with Roger Moore’s aging aimlessness, or angry that longtime producer Albert “Chubby” Broccoli can’t keep the one man they feel was perfect for the role (Pierce Brosnan) from bolting to bigger and better things. The latest row was over the casting of British blond himbo Daniel Craig as the new, post-millennial 007. The only glimmer of hope inside this otherwise dismissed bit of hiring was the promise that this version of the classic UK agent would be a “real return to form” (meaning a creative call back to the days of Sean Connery). Sure enough, this kinetic update delivered the best Bond movie in a long time – a legitimate action film with heart and head to match. Craig may still have to win over the Ian Fleming faithful, but at the box offices, he’s more than renewed his character’s license to kill.
As one of two classics by Kon Ichikawa to be released by DVD’s definitive preservationists, this story of a WWII Japanese platoon who sing to keep their spirits up represents war at its most insidious. Instead of focusing on death and destruction along the battlefield, Ichikawa follows the fallout of battle on man’s inner strength and resolve. The results are dark and devastating.
The second Ichikawa film from Criterion focuses on the ravages of combat from the psychological outward. When a group of Japanese soldiers are trapped in a Philippine’s jungle, the stress of waiting for death drives them insane. Some even resort to murder and cannibalism. As strong an anti-war message as you are likely to find anywhere, this amazing film fits perfectly into the company’s creative dynamic.
It’s a shame that Nancy Meyers isn’t a more skilled filmmaker. She had a great idea here, and a certifiably star-driven cast. Just the thought of Jack Black hooking up with Kate Winslet had stocky guys all across the world celebrating in vicarious triumph. Unfortunately, most critics found this routine romantic comedy to contain more hackwork than humor…or heart…or hope.
Here it is – John Cameron Mitchell’s notorious follow-up to his madcap musical Hedwig and the Angry Inch
. Following the failing fortunes of a bunch of beleaguered New Yorkers, Mitchell made the unprecedented decision to ignore the MPAA and show all the sexual acts in their full blown, X-rated reality. What you wind up with is a surreal cinematic experiment, a character study that suddenly breaks into hardcore porn honesty.
While other foreign filmmakers seem to mellow and wane with age, Spain’s Pedro Almodovar is only getting feistier and more confrontational. For his latest look at women on the verge of interpersonal freefall, he casts Penelope Cruz in a story of ravaging emotional erosion. So successful was the combination that Ms. Cruz became the first Spanish actress to be nominated for a Best Actress Oscar.
And Now for Something Completely Different
Open Water 2
It’s quite the motion picture pickle – how do you make a sequel to a film where both of the main characters died in the end? Easy - avoid everything that the first movie stood for, and strike out on your own; borrow the name for some instant audience recognizability and hope no one in the fooled fanbase hollers “FOUL!” That’s what the makers of Adrift
did when they discovered that the lame-os over at Lionsgate were picking up their effort for direct to DVD release. This German joke of an aquatic horror film is so illogical, so laced with ridiculous decisions by both the characters on screen and the creative team behind the lens that the individuals responsible for the original ‘you are there” sharkfest ought to consider an immediate injunction. The only thing this stupid storyline has in common with the 2003 hit is the vastness of the ocean – that’s it.