It should, perhaps, be added to the list of the certain signs of seasonal change: days getting shorter; leaves turning colors and finally falling; DVD companies retrofitting previous releases and turning them into those dreaded double dip “special editions”. This week at the old B&M, the vast majority of the pickings are pimped out titles that have already been available on the digital domain in standard, sell-through form. But with the holiday buying avalanche just a few short shopping days away, studios sense a need to positively position themselves with potential gift givers – and in their mind, the best way to do that is slap on some heretofore unavailable extras on an already desirable disc. There are still a few interesting first time efforts out there, including a weird sci-fi experiment from one of cinema’s more daring auteurs, and a mediocre thriller based on one of the biggest bestsellers of all time. Still, if you need to know what happens in the extra 13 minutes added into Peter Jackson’s already elephantine remake of a known great ape classic, or what Chan-wook Park thinks of the attention his seminal revenge flick received around the world, then the second times the added content charm. In general, the possible rewards desperate for your dosh on 14 November are:
The latest installment in Michael Apted’s brilliant five decades old documentary series proves that a good idea can survive shifts in personal and cultural climes to make a universal statement about the real nature of human beings. Some suggest that class and privilege have as much to do with the shocking individual transformations as inner elements like drive and determination, and of course they have a point. But this also doesn’t explain away the effect that years have on hopes, dreams, and perspective. One of the most telling attributes of all the Up films is highlighting how that age old missive “don’t dream it, be it” really doesn’t apply. Resolve can only take you so far, especially when a camera comes along every seven years and measures out your progress. With 12 of the 14 original subjects still participating, and middle age ebbing toward the twilight years, it will be interesting to see where 56 finds the cast. The paths seem awful dark right about now.
There are those who defend this dull, derivative cat and mouse mess as a fairly faithful adaptation of Dan Brown’s religion tweaking title. But in SE&L‘s opinion, that’s like arguing that a perfume that accurately recreates the smell of dog feces is aesthetically successful. Thanks to Ron Howard’s routine, journeyman direction, Akiva Goldsman’s atrocity of a script (someone, please stop this man before he scribes again) and the complete lack of capable characterization from leads Tom Hanks and Audrey Tautou, what could have been a capable thriller with a scandalous secret at the center became a vapid visualization of an already ponderous pulp novel. Let’s face it – any movie that must resort to using the excellent Ian McKellan as a guest lecturer on the obvious expositional elements of the plot is gasping for every last entertainment breath. Toss in the staid action scenes, the lack of any real surprise (the heralded “twist” was talked to death before the film even opened) and you’ve got a major misfire. For devotees and the self-flagellating only.
Poised precariously between sci-fi and silliness, this imaginative retelling of Shakespeare’s The Tempest is often considered one of speculative fiction’s cinematic classics. Featuring a stellar old school cast – Leslie Nielsen, Walter Pidgeon, Anne Francis, Richard Anderson and Earl Holliman – and the still impressive presence of one Robbie the Robot, the narrative weight given the project by director Fred Wilcox more than makes up for the limited success of the ‘50s era effects. Besides, the fabulous set designs and inventive electronic musical score helps sell the otherworldly elements exceptionally well. While previous DVD editions have been faulted for their lack of visual clarity, added context or just plain respect for the project, this new multi-disc package promises to provide a wealth of extra goodies. You will find deleted scenes, a documentary about the science fiction genre, and a featurette on the film’s creation. It’s enough to make even the most strident film geek jump for joy.
Many felt that Frank Darabont stumbled a bit with this, his third adaptation of material by celebrated author Stephen King (his first two attempts being The Woman in the Room and the universally adored The Shawshank Redemption). But the truth is that the detail-oriented director got everything just right in this story of fate, faith, and fulfillment. Michael Clark Duncan, rejected as being reduced to a racially insensitive stereotype as the hulking black healer at the center of the story, actually gives an amazingly nuanced performance, providing the powerful center to what could have been a ponderous prison allegory. Add in the talented turns by Tom Hanks, David Morse, James Cromwell and Sam Rockwell and you’ve got a great ensemble cast successfully selling a truly remarkable movie. Fans have been waiting a long time for this supplement loaded DVD, with Darabont present and accounted for, ready to argue his decisions as a director in a full length audio commentary. Hurray!
King Kong: Extended Edition*
Now that it has had almost a year to reconfigure its relevance in the realm of cinema, Peter Jackson’s drop dead brilliant reimagining of the Giant Ape epic finally gets the full blown LOTR‘s treatment the filmmaker is famous for. While you can opt for the full blown Collector’s Edition, complete with a reproduction statue of Kong climbing the Empire State Building, this new version has so many captivating bells and whistles that fans will be hard pressed to pass this by. They include 13 minutes of new footage, including an intriguingly described “Skull Island underwater creature attack” (!), another 38 minutes of deleted scenes, and an always compelling commentary from the director himself. Some may still feel that Jackson let his love of the movie overwhelm his ambitions, providing this relatively simply story with way too much cinematic pomp and circumstance, but for SE&L’s scratch, no one makes mega-blockbusters like this confirmed Kiwi genius. Our main man did this massive monkey proud.
Frequently dismissed as derivative of the arch ‘80s ideal of terror, William Lustig’s ode to a crazed killer peace officer is actually one of the best b-movies the era ever produced. Thanks to a stellar script by genre giant Larry “It’s Alive” Cohen, and fine performances by a cast including Robert Z’Dar, Tom Akins, Sheree North, Laurene Landon, William Smith and a baby-faced Bruce Campbell, what starts out like a standard revenge motivated slasher film becomes an intriguing thriller with plot twists and action scenes o’plenty. Making the most out of his limited locations, and a budget that keeps things on the low end of the cinematic spectacle, Lustig still gets a great deal of mileage out of this material. If you originally dismissed this movie as nothing more than another sloppy slice and dice, now’s your chance to give it another try. You’ll be pleasantly surprised at how solid it really is.
The Wild Blue Yonder*
Leave it to German auteur Werner Herzog to create a science fiction fantasy out of actual empirical fact. Combining found footage with a personally propagated narrative, the fascinating filmmaker is trying something completely new and experimental with this specious speculative mock up. As much about the poetry and beauty of nature as the mystery and wonder of the unexplored realms of the universe, Herzog’s message is one of inner as well as external examination. Taking NASA training films and combining them with underwater images from beneath the Antarctic ice flows, and an arcane sci-fi monologue from actor Brad Dourif (as a failed, fatalistic alien), this director hopes to combine the fantastical with the pragmatic to envision a spectacle with nothing but known quantities before the camera. For Herzog, the ocean floor is an extraterrestrial plane loaded with undiscovered delights, while the image of man conquering nature to send astronauts into orbit is as astounding an achievement as the vastness of the universe itself.
And Now for Something Completely Different:
In a weekly addition to Who’s Minding the Store, SE&L will feature an off title disc worth checking out. For 14 November:
Sometimes, a sensational movie gets overlooked because of its lack of distribution. Other times, it’s the perceived problems inherent in the subject matter that causes eventual audience ignorance. Thus is the case with Lewis Jackson’s minor masterpiece, You Better Watch Out. Audiences were stunned when they learned this holiday horror film – later re-titled with the far more lurid Christmas Evil label – featured an unstable man who took the notion of “playing” Santa to uncomfortable extremes. Already angry at the mixing of the festive with the frightening, the seedy subtext involving children and random carnage made even the most magnanimous macabre fan a tad queasy. Too bad, since their ready dismissal prevented them from appreciating a truly remarkable movie. More a character study than a standard slice and dice, Jackson’s journey into the mind of a morally misguided man is an unusual artistic triumph. Besides, it’s John Waters’ favorite holiday film. You can’t ask for a better vote of creative confidence than that.
// Notes from the Road
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