That slight electrical buzz you sense in the air is the remnants of an Academy Awards ceremony that went slightly off kilter. With Paramount probably producing brand new stickers to announce The Departed‘s major Oscar wins (screenplay, editing, director AND picture) and the Babel: Special Edition disc more than likely on indefinite hold, the repercussions of Hollywood’s yearly attempt to regain a bit of artistic integrity will be short and succinct – unlike the telecast itself. So as we wait for the final three nominees to make their way onto the preferred home theater format, the divergent choices available this week will have to satisfy your cinematic jones. They may not make up for the Pan’s Labyrinth debacle, but at least a couple will remind you why movies are indeed magic. So, for 27 February, feast your eyes on these motion picture possibilities:
It’s been a tough couple of years for Terry Gilliam. The one time God of the film geek world has seen his filmic fortunes wane substantially. Part of the problem was his misguided mash-up with Miramax, a problematic collaboration that resulted in The Brothers Grimm
. While fighting over final cut with a certain member of the Weinstein Family, the ex-pat Python went out and made this movie, based on the book by Mitch Cullin. And it was critics, this time, that caused the commotion. Resoundingly booed at its Toronto Film Festival premiere, the filmmaker has since launched a one-man campaign to save his cinematic reputation – and, in conjunction, the fate of this so-called adult fairy tale. As with most of his movies, it’s a love it or loathe it affair, with more votes coming down on the negative. Maybe this DVD release will finally settle the argument one way or another.
Oliver Stone must rue the day he ever decided to take on the story of this famed ancient great one. All production problems and budget issues aside, the whole bi-sexual angle (or lack thereof in the final cut) has brought this movie more notoriety than box office. Now, in it’s THIRD
DVD incarnation, the filmmaker adds 40 minutes of material and declares himself done. Sounds more like a surrender.
In an obvious attempt to recapture the cinematic glory they achieved with Gladiator
, director Ridley Scott and actor Russell Crowe came together to make this supposed romanticized look at redemption. Granted, the idea of a high powered money man getting all moist over his idyllic past showed some slight promise, but the final film was a cloying bit of claptrap without a lick of likeability or real world legitimacy. div>
After the shocking success of The Grudge
on these shores (who would have thought that high concept Americans would cotton to the causal terrors that comprise most J-Horror?), star Sarah Michelle Gellar decided to revisit the Asian fright film dynamic one more time. Sadly, the result was this ridiculously routine thriller. Remove the rural setting and you’ve got the same old girl ghost goofiness.
Stranger than Fiction
His performance with Jack Black and John C. Reilly was one of the legitimate highlights of an otherwise dull as dishwater Oscar ceremony. That doesn’t make this semi-serious comedy any more compelling. With a premise that practically screams Charlie Kaufman and weirdly wicked turns from Emma Thompson and Dustin Hoffman, this should have been a cinematic slam dunk. Sadly, it misses the basket by a few unfunny furlongs.
Tenacious D in the Pick of Destiny
Farrell’s Academy musical partner also has a DVD out this week, and for fans of his previous incarnation as part of the world’s greatest rock band, this is the movie of the century. Unfortunately, cult does not easily translate into commercial, and no matter his building box office appeal, Black couldn’t put enough butts in theater seats. For true devotees and those looking for a mainstream movie alternative.
And Now for Something Completely Different
Deep Red/ Inferno
Over the past couple of years there’s been a real renaissance in Dario Argento’s cinematic fortunes. His contributions to the Showtime series Masters of Horror
have given him a much higher public profile, and after decades of speculation, he is now in the process of filming the final chapter of his Three Mothers trilogy. It’s convenient then that Blue Underground is re-releasing some of the maestro’s best films, including his breakthrough giallo and part two of the aforementioned terror triumvirate. Of the titles coming back to DVD, Red
is the best, a deliciously disturbed exercise in murder mystery macabre that deserves to be ranked right up there with some of the greatest movies ever made. Inferno
is more frustrating, a clear example of significant style over far too subtle substance. Yet the visuals are so powerful, their effect so overpowering, that we forgive the film its little minor narrative misgivings. Here’s hoping the rest of his considerable canon – including the lost in limbo Four Flies on Grey Velvet
– make it back to the digital domain sometime soon. div>