I’ve always loved this song even if Dwight Twilley was probably the poor man’s Cheap Trick with many more misses than he ever had hits. Even though this is more properly categorized as power pop, I love tamped down glam aspects of the song, particularly the flirtatious mouth movements, batted eyelashes and scrawny boy hip swivel. Not to mention Susan Cowsill barely breaking a sweat in her shades as she blasts out “Free, Free, Free” like Queen singing songs from “Hair”. Even though they were contemporaries of T. Rex, they’re clearly avoiding the tarted up look that would soon overtake and eventually undermine glam rock. Nothing says we’re power pop like your mom’s sweat shirt. Still, the song has some absolutely soaring moments even if you can’t tell if it’s a straight-up come on or an insult wrapped in a come on. Essentially, it’s a riotously harmonized chorus telling the object of his affection that she/he doesn’t have a love, so, well, why not? And, if I’m not mistaken he also seems to suggest that he couldn’t wait to be single, but now he’s “on fire”. Of course, this pre-dates the hair band days where everyone’s eyes were suddenly “on fire” and the metaphor became duly limp.
"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.READ the article