Every once in a while, a true gem is unearthed from the mines of musical history. This debut is one such excavation, though archaeologists might have trouble dating the contents which, on first hearing, seem to be the aural equivalent of retro-futurist designs done on an Etch-a-Sketch. Originally released in 1980, the album is conjured from a slim palette and adheres to a stripped-to-the-bone ideal of sound, yet it is close to perfection. It is hard to recall any other album to which the terms “pastoral” and “neon” could be simultaneously applied.
"The “colonialism” at play is not between nations, rather it seems more interested in how it influences a man recently come of age.READ the article