Deluge Grander

The Form of the Good

by Michael Keefe

17 August 2009

 
cover art

Deluge Grander

The Form of the Good

(Emkog)
US: 14 Apr 2009
UK: 10 Apr 2009

Dan Britton, keyboardist and composer behind the Baltimore quartet Deluge Grander, doesn’t want his band’s music to be labeled progressive rock, so let’s call the group’s 2009 sophomore album, The Form of the Good, symphonic rock. This is an apt description for an outfit who augments its core of guitar, bass, drums and keys with cello, clarinet, violin, oboe and other entries from the orchestra pit. Also, aside from some brief chanting, there are no vocals on the record. Then again, it would be unfair to both the band and its likely audience to shy too far away from the prog tag. Fans of Genesis, Camel and ELP are the people who will want to experience these 53 minutes of complex, epic rock. There are changes in tempo and time signature, an emphasis on exacting musicianship over grooves and a good many solos. There’s even what would appear to be a sample of a dying Pac Man midway through “The Tree Factory”. Mostly, though, The Form of the Good is far from frivolous. Britton is serious and passionate about his music, and he clearly devoted many hours to writing and scoring these pieces. Densely woven and delivered at a furious rate, the melodies here are a bit hard to latch onto, but the grandeur of Deluge Grander is apparent. For all you prog fans who think the lyrics are often kind of dorky, the symphonic and progressive rock found on The Form of the Good is for you.

The Form of the Good

Rating:

//comments
//Mixed media
//Blogs

Hozier + Death Cab for Cutie + Rock Radio 104.5's Birthday Show (Photo Gallery)

// Notes from the Road

"Radio 104.5's birthday show featured great bands and might have been the unofficial start of summer festival season in the Northeast.

READ the article