Wisp

The Shimmering Hour

by Alan Ranta

8 September 2009

 
cover art

Wisp

The Shimmering Hour

(Rephlex)
US: 12 May 2009
UK: 27 Apr 2009

Niagra Falls’ Reid Dunn picked an apt name for himself. While his brand of “Cornish Acid”-like IDM perfectly suits the Rephlex aesthetic (so much that he has been actively rumored next to Aphex Twin as the possible identity of the clandestine EP project currently known as the Tuss), he has done little to truly differentiate himself. For how moody and melodramatic The Shimmering Hour can be at times, it is not as engaging or memorable overall as one would hope.

Likewise, his first two full-lengths on Aaron Funk’s now-defunct Sublight label failed to truly stand out there, and only his Christmas EPs stand out of his complete discography. Make no mistake, his first long-player for Rephlex is full of juicy bass and cleanly separated glitch, as much as you would expect from the third full-length by an Aphex Twin-approved producer. Yet Wisp manages to blend his best ingredients into a brick wall of recognizable influences rather than using them to break that wall down. The unacquainted need something undeniably “Wisp” to sink their teeth into, a signature to remember him by.

The Shimmering Hour

Rating:

 

We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work as independent cultural critics and historians. Your donation will help PopMatters stay viable through these changing and challenging times where costs have risen and advertising has dropped precipitously. We need your help to keep PopMatters strong and growing. Thank you.

 

//comments
//Mixed media
//Blogs

Saul Williams Commands Attention at Summerstage (Photos + Video)

// Notes from the Road

"Saul Williams played a free, powerful Summerstage show ahead of his appearance at Afropunk this weekend.

READ the article