The first thing one notices about Monika Jalili is her phrasing. Each note is waterdrop-rounded, and each word emerges as if she has a stagehand in her throat straightening collars and brushing dandruff off jackets before anyone is allowed to step onstage. She sings with a cello-tone and is backed by a cello, along with a few other strings and things. It’s a restrained accompaniment for a restrained, graceful album. Her voice is the centrepiece. It moves with a dolorous slowness without actually seeming sad. Born in the U.S. to part-Persian parentage, Jalili received voice training, worked as a singer in musical theatre, and then decided to concentrate on Iranian songs, releasing her first album, NoorSaz, in 2005.
- "Multiple songs" Myspace
// Notes from the Road
"Marina's star shines bright and her iridescent pop shines brighter. Froot is her most solid album yet. Her tour continues into the new year throughout Europe.READ the article