The Pinecones

Sage

by Joshua Kloke

24 February 2010

 
cover art

Sage

(Just Friends)
US: 19 Jan 2010
UK: Import

Sage, the debut album from the Pinecones, is a blast from the past. Sonically, it’s a dense listen, bringing to mind some of the more catchy tracks that a certain Liverpool foursome wrote in India back in ’68. Yes, the Pinecones write near-perfect psychedelic pop. What makes Sage a remarkable achievement, however, is that this flowery-and-expanding record was crafted in Toronto, which isn’t exactly a haven for summery sounds, yet the Pinecones give into its inner flower child, combining swift, psychedelic choruses with deliciously meandering verses.

Opportunities arise for the Pinecones to show its blue-blooded, Neil Young-esque sound (most notably on the groovy, scorching “Ardmore Jenny”). Perhaps the Pinecones will lead the true new wave of psychedelic pop-rock. The band gets its elbows up and throw its weight around in punchy rhythms, but things never get, well, too heavy. It’s a dense, sonic balance that these four dudes ought to be proud of.

Sage

Rating:

 

We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work as independent cultural critics and historians. Your donation will help PopMatters stay viable through these changing and challenging times. Thanks everyone.

//comments
//related
//Mixed media
//Blogs

Beyoncé and When Music Writing Becomes Activism

// Sound Affects

"The overall response to Beyoncé's "Formation" has been startlingly positive, but mostly for reasons attached to political agendas. It's time to investigate this trend.

READ the article