Butterflies, Lipstick & Hand Grenades
US: 30 Mar 2010
Online Release Date: 20 Oct 2009
The most interesting aspect of Butterflies, Lipstick & Handgrenades is that it appears on Hiero Imperium records. The label is best known for underground hip-hop acts such as Souls of Mischief and Hieroglyphics, so a straight-up rocker like Bay Area product Chris Marsol is new territory. You have to commend Hiero for wanting to expand its scope, but, unfortunately, Butterflies, Lipstick & Hand Grenades isn’t likely to expand its prestige.
Marsol’s voice, a passionate instrument that recalls Stevie Wonder and Michael Jackson at his least histrionic, is his greatest asset. But he’s put that voice to work fronting mostly faceless, often wanky fusion-rock. The playing and recording are immaculate, but the songs recall more of an American Idol castoff than a genuine up-and-comer. Yes, it’s time to bring up that most dreaded of fusion-rock least common denominators, Lenny Kravitz. When Marson scales back the chunky guitars and gets into a bit of a groove, he’s better than that. Too much of Butterflies, Lipstick & Hand Grenades, though, sounds like “Album Oriented Rock” radio circa 1993.
// Sound Affects
"The man whose songs were recorded by Johnny Cash, Alan Jackson, Ricky Skaggs, David Allan Coe, The Highwaymen, and countless others succumbs to time’s cruel cue that the only token of permanence we have to offer are the effects of shared moments and memories.READ the article