Nathan Xander

The Fear

by David Maine

15 June 2010

cover art

Nathan Xander

The Fear

(Deep Elm)
US: 19 Apr 2009
UK: Import

Midway through this collection of mostly-acoustic, vaguely folky songs, the band shows up. Suddenly the meandering tunes and Dylanesque honking is transformed into a rich bluesy stomp entitled, appropriately enough, “The Alchemist”. It’s the record’s best song by a mile, but unfortunately its arrival does not indicate a sudden acoustic-to-electric dichotomy a la, say, Rust Never Sleeps. (Hey, we can dream, right?) Instead, the band retires into the shadows again, offering only tasteful drum and bass punctuation, and Xander’s voice takes center stage. That voice is the weakest link in the mix, though, and the songs are not well served by it. Some, like “John Wayne” and “A Long One” offer an affecting sense of regret, but too many others just noodle along pointlessly, and the record withers away rather than actually delivering the listener to anyplace compelling.

The Fear



We all know how critical it is to keep independent voices alive and strong on the Internet. Your donation will help PopMatters stay viable through these changing and challenging times.

//Mixed media

Counterbalance: Elvis Costello's 'Imperial Bedroom'

// Sound Affects

"History repeats the old conceits, the glib replies, the same defeats. Keep your finger on important issues, and keep listening to the 275th most acclaimed album of all time. A 1982 masterpiece is this week's Counterbalance.

READ the article