Reader, I Curried Him

by Jer Fairall

14 July 2010

cover art


Reader, I Curried Him

Online Release Date: 23 Mar 2010

Fans of early Elvis Costello would do well to check out the work of Stephen Manning, the London-based singer/songwriter who records jangly, bedroom pop under the name Statuesque.  Manning’s own nasal vocal delivery is a bit warmer and less pronounced than Costello’s, and it’s more vulnerable to blending in to the not quite lo-fi, but notably homemade, audio murk of crunchy guitars and boxy drum beats that mark these recordings. However, he does possess Costello’s knack for wrapping witty wordplay (“short of marrying a mirror / your intent could not be clearer”, goes one particularly Costelloian lyrical barb) around spiky hooks and occasionally intricate melodies.  Reader, I Curried Him doesn’t quite capture Manning at his very best.  Previous albums like 2002’s deceptively titled, non-concert recording Live From Lake Vostok and 2004’sChoir Above Fire Below boast sharper songs and somewhat higher hit-to-miss ratios, but for every fumble here (like the muddled plod of “Jagged Spires”) you’ll find a few gems, such as in the jaunty melody of “Low Expectations”, the irresistibly springy guitar riff of “Oranges and Leathers” or chirpy instrumental break of “Egg Race”.  Even if the stabs at an expansive lushness on ambitious tracks like “The Jaws Of Ill Repute” and “The Rain In Bahrain” continue to reveal Manning’s sonic limitations, melodically, he appears to have very few.

Reader, I Curried Him


We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work. We are a wholly independent, women-owned, small company. Your donation will help PopMatters stay viable through these changing, challenging times where costs have risen and advertising has dropped precipitously. PopMatters needs your help to keep publishing. Thank you.

//Mixed media

20 Questions: Kasey Chambers

// Sound Affects

"Australia's country great Kasey Chambers embraced her ambition on a new double-album, but still wants to be remembered as "being real in a very fake world."

READ the article