Dreamy, snynthy, smooth
Boxharp’s Wendy Allen and Scott Solter fuse together unlikely soundscapes constructed of organic instrumentation, recorded beats, and breathy vocals to make unexpectedly lovely pop songs. “The Green” features Allen’s voice swooping prettily over a bed of what sound like steel drums, underpinned with drum machine loops. It should be awful, but it coalesces into a lively song that is more than the sum of its parts. “Hicks’ Farewell” is one of many tunes that carry a strong air of British traditional music underneath the layers of synthesized percussion. Despite the busy sonic palette, the music fits the mellow downtempo characterization of dream pop, albeit without the jangly guitar that that genre often relies upon.
A trio of strong songs in the album’s latter half show the duo at their best, as “Sidesteppinng”, “Leatherwing Bat”, and “The Scarecrow’s Lament” feature hummable tunes and unexpected variations in instrumentation. The band falters, however, in its more ambient moments, when formless syntheizer droning serves no purpose other than making the listener impatient for the next song.
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// Sound Affects
"History repeats the old conceits, the glib replies, the same defeats. Keep your finger on important issues, and keep listening to the 275th most acclaimed album of all time. A 1982 masterpiece is this week's Counterbalance.READ the article