Bee Vs. Moth call themselves a “multiple-genre, weirdo instrumental rock band from Austin, Texas.” I’m not sure I would have phrased it quite that way, but it’s a fairly reasonable self-assesment. Throughout Acronymous there are musical allusions to Don Caballero, Herb Alpert, Ornette Coleman, and, maybe distantly, a more raucous Calexico. In any case, their Austin roots are strong: not one of Acronymous’ tracks could be considered uninteresting to the educated listener. “ICP On Parade” marches into a brass fumble and rights itself again. “Peter Benko” begins with a Blood Brothers-esque rhythm only to end up sounding something like garage jazz. Are those comparisons even fair? Is garage jazz real? Not sure. The Bee Vs. Moth gang might know, though. I recommend you find out.
// Sound Affects
"The man whose songs were recorded by Johnny Cash, Alan Jackson, Ricky Skaggs, David Allan Coe, The Highwaymen, and countless others succumbs to time’s cruel cue that the only token of permanence we have to offer are the effects of shared moments and memories.READ the article