Strumming Music for Piano, Harpsichord and String Ensemble
US: 12 Oct 2010
UK: 4 Oct 2010
Back in the early ‘70s, New York composer Charlemagne Palestine steered minimalism in a direction he called “strumming.” Two notes are batted back and forth rapidly, sometimes adding another to pair up with the higher one, until a strange overtone is achieved. The Brussels-based label Sub Rosa has secured three recordings of pieces that have otherwise been forgotten since the me decade, and released them on a three-CD set under the title Strumming Music.
The first disc is Palestine performing a 52-minute work on the piano himself. The second disc is a recording of Betsy Freeman playing a similar piece for the harpsichord three years later. The last installment is for a string ensemble from the San Francisco Conservatory under the supervision of John Adams. A wonky mix, likely caused by faulty microphones coupled with distracting, extraneous coughs, begs for these pieces to be recorded in a more flattering setting. Until then, enjoy the drone.
We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work as independent cultural critics and historians. Your donation will help PopMatters stay viable through these changing and challenging times where costs have risen and advertising has dropped precipitously. We need your help to keep PopMatters strong and growing. Thank you.
// Notes from the Road
"Saul Williams played a free, powerful Summerstage show ahead of his appearance at Afropunk this weekend.READ the article