Sentinels of the Heliosphere
US: 28 Dec 2010
UK: 28 Dec 2010
Solar Temple Suicides’ debut album mixes hard-edged jam-rock with more psychedelic, spacey music. The Baltimore trio lock in nicely together, creating a strong interplay between drums, bass and guitar. These robust tracks—most go over seven minutes—allow the band time for exploration, something that’s pretty much essential to both psychedelic and jam-oriented music. Fortunately the band members also have enough of a sense of melody to keep songs from flying off of the rails into tedious meandering. Sentinels of the Heliosphere is a pretty decent start for a new instrumental rock band.
Except… Solar Temple Suicides isn’t precisely an instrumental rock band. There are vocals on most of these songs, but they’re buried deep in the mix. The instruments all come through loud and clear, but the singing sounds like it’s coming from way down the hallway, outside of the recording studio. The reason for this may be that guitarist Jon is a terrible singer. It’s tough to tell for sure because the vocals are basically indecipherable, but he can’t seem to hold a tune, let alone a melody. The way the album is mixed it seems like the band is embarrassed by the vocals. Why include them at all if you know it’s that bad?
We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work as independent cultural critics and historians. Your donation will help PopMatters stay viable through these changing and challenging times where costs have risen and advertising has dropped precipitously. We need your help to keep PopMatters strong and growing. Thank you.
// Notes from the Road
"Saul Williams played a free, powerful Summerstage show ahead of his appearance at Afropunk this weekend.READ the article