Hailing from Colarado, Elephant Revival is a collective of folk-inspired musicians led by Bridget Law’s vocals and fiddle, joined by a quartet of other musicians, including Dango Rose on bass and Daniel Rodriguez on guitars. Everybody sings, and everybody plays multiple instruments. All this activity amounts to a wide variety of lush, mostly-acoustic sounds, which veer from the country-bluegrass end of the spectrum (“Lexington”, “Break in the Clouds”) to moodier, bass-heavy tunes (“Cosmic Pulse”, “Drop”). If indie rock were played primarily on mandolin, cello, banjo, and octave violin, it might sound something like this.
That’s not to say that the songs are experimental or bizarre—guitar and vocals remain the focus of these songs, it’s just that the arrangements and instrumentation lend something refreshing to many of them. The fiddle on “Barefoot Friend” brings an alt-country vibe, while “Break in the Clouds” is reminiscent of a waltz. Most of all, what makes this record so successful—and it is very successful indeed—are the songs, which are solidly constructed and performed with conviction. At 14 tracks, the album loses momentum in its second half, but remains generally engaging nevertheless, and well worth a listen to anyone with a fondness for the “folk” element of “folk-rock”.
- Multiple tracks MySpace
// Sound Affects
"The man whose songs were recorded by Johnny Cash, Alan Jackson, Ricky Skaggs, David Allan Coe, The Highwaymen, and countless others succumbs to time’s cruel cue that the only token of permanence we have to offer are the effects of shared moments and memories.READ the article