Call for Music Writers... Rock, Indie, Hip-hop, R&B, Electronic, Americana, Metal, World and More

cover art

Big Shanty


(King Mojo; US: 8 Feb 2011; UK: Import)

Big Shanty started getting attention in 2007 with the release of Ride with the Wind. He’s remained a cult favorite since then, and, in a way, it’s easy to see why he hasn’t had more of a mainstream break. He plays the blues, but it’s not a traditional sound. He and his bandmates (including Liz Melendez on a number of tracks) take an aggressive approach to the music. It’s hard, dirty, and grinding, at times as reliant on heavy metal as on the blues, but make no mistake—this is the blues, and not blues-rock. The new two-disc release Collection plays as an attempt to quickly catch newcomers up to speed. It mostly works, but it’s an odd arrangement given the brevity of his career to this point and the fact that the songs would nearly fit on one disc. There’s a mix of hits and rarities, as well as studio and live tracks. Unfortunately, aside from personnel listings, there’s nothing in the liner notes to explain these songs, not even a listing of where they originally appeared. Fans should be pleased and newbies will be encouraged, but it feels as if King Mojo Records missed the opportunity to make a major statement with this release.


Justin Cober-Lake lives in Charlottesville, Virginia, with his wife, kids, and dog. His writing has appeared in a number of places, including Stylus, Paste, Chord, and Trouser Press. His work made its first appearance on CD with the release of Todd Goodman's first symphony, Fields of Crimson. He's recently co-founded the literary fly-fishing journal Rise Forms.

Tagged as: big shanty
Now on PopMatters
PM Picks

© 1999-2015 All rights reserved.™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.