An epic album of acoustic tunes
The Holy Coming of the Storm
(Cahalen Morrison & Eli West)
US: 13 Nov 2010
UK: 13 Nov 2010
Cahalen Morrison and Eli West play a strain of high-energy acoustic music that incorporates the frenetic finger work and instrumentation of bluegrass, yet deviates somewhat from that genre’s rigid song structures. With their twining voices evoking the high, lonesome sound of classic country music, the songs are indisputably old-timey, while impeccable instrumental chops ensure that the tunes will never sound stale. Morrison flits among banjo, mandolin, bouzouki and guitar with equal felicity, while West carries on with guitar, bouzouki and banjo. Other musicians add fiddle and bass.
The songs are consistently excellent, with many standout tracks. Opener “Lost Lovin’ Gal” sets the tone, while “Fleeting Like the Days” carries a vaguely British folk vibe. The duo shows its range, with expressive voices carrying the a capella “My Bloody Heart” nicely offset by instrumental stomper “Cutting In/Weymann’s Last Run”, in which the stringed instruments weave a web of sound that’s as breathtaking as it is captivating. “Won’t Be Long” manages to be grave and playful at the same time, a result of its somber lyrics carried over a galloping, playful rhythm.
The city of Seattle isn’t exactly famous as a bluegrass hotbed, but this may change if the likes of this record keep coming. Recorded in three days, the album carries a freshness that can only come from excellent musicians fired up by playing together and pushed to do their very best. Here’s hoping for more.
We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work as independent cultural critics and historians. Your donation will help PopMatters stay viable through these changing and challenging times where costs have risen and advertising has dropped precipitously. We need your help to keep PopMatters strong and growing. Thank you.
// Notes from the Road
"Saul Williams played a free, powerful Summerstage show ahead of his appearance at Afropunk this weekend.READ the article