Good time rock doesn't amount to much
Shotgun Jimmie plays good-time guitar-based rock ‘n’ roll. Handling guitar and vocal duties on this, his third album, Jimmie gives the impression of a guy who’s having a party anywhere he goes. The singing is self-consciously unschooled—think Nerf Herder, or even David Lowrey—but the tunes are solid enough, even if nothing really stands out or is quite as funny as the band seems to think. Far too many of the album’s 16 tracks are throwaways: “Piano” is 26 seconds, “Bar’s Open” is 17, and there are plenty more where they came from. I bet it all sounded great in the studio, but don’t make me sit through it, man.
Even the real songs feel short and often rushed. Most everything checks in at the neighborhood of two to three minutes, which makes fun a fun set at the bar but doesn’t give the band much time to show its chops. Before long, the stream of short, peppy songs with ironic lyrics runs together. Even after a half dozen listens, it’s hard to remember anything in particular.
// Sound Affects
"The man whose songs were recorded by Johnny Cash, Alan Jackson, Ricky Skaggs, David Allan Coe, The Highwaymen, and countless others succumbs to time’s cruel cue that the only token of permanence we have to offer are the effects of shared moments and memories.READ the article