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Metal Mother

Bonfire Diaries

(Post Primal; US: 17 May 2011; UK: 17 May 2011)

Spaced-out shoegaze pop for reverb freaks

A number of words come to mind when listening to Bonfire Diaries, the debut full-length from Oakland’s Metal Mother. “Breathy” and “ethereal” describe the vocals, while “down-tempo” and “bottom-heavy” fit the sound. Songs are built upon webs of keyboards, bass and percussion, while Tara Tati’s ghostly vocals flit through the sound scapes like lost spirits. Oh and there’s tons of reverb, plenty of shoe-gazing spaciness, and not a power chord in sight. In other words, Metal Mother is about as non-heavy metal as you can get.


There’s still lots to enjoy, though. Opener “Shake” gets the proceedings off to a throbbing, swooping start, while “Lost Story” uses Tati’s ululating vocals to good effect and “Vices” flexes its percussive muscle. The album is consistent—maybe too consistent—in following its sonic template, but on the upside, that template is unlikely to remind you of anything else you’ve heard this month. That counts for something, doesn’t it?

Rating:

DAVID MAINE is a novelist and essayist. His books include The Preservationist (2004), Fallen (2005), The Book of Samson (2006), Monster, 1959 (2008) and An Age of Madness (2012). He has contributed to The Washington Post, Publishers Weekly, Esquire.com and NPR.com, among other outlets. He is a lifelong music obsessive whose interests range from rock to folk to hip-hop to international to blues. He currently lives in western Massachusetts, where he works in human services. Catch up with his blog, The Party Never Stops, at davidmaine.blogspot.com, or become his buddy on Facebook (or Twitter or Google+ or whatever you prefer) to keep up with reviews and other developments.


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