For their third record, instrumental rockers Beware of Safety opted to write and record the album from scratch. There were no preconceived ideas of what the collection would be, no rough sketches for songs; the band—now a five-piece—gathered in the studio and worked together to create the sounds that make up Leaves/Scars. That approach gives this music a vital charge of immediacy. The songs feel fresh here, not overworked or over-thought. The band plays with the same power they’ve shown on previous records, but here there’s a new fluidity to their sound that works nicely. Songs like the 11-minute closer “Memorial Day” build on intricate layers of guitar and rumbling bass, and the textures the band creates are often striking, particularly when they hold onto their restraint. The band can certainly overpower with its high-volume metal freakouts—the noise of “Kevin Spacey” is particularly striking since it includes human voices in the fray—but the subtle roads to those noisy breaks show Leaves/Scars at its most compelling. The kind of metal-touched instrumental rock Beware of Safety deals in isn’t new to the scene, and as good as they are at volume they get less distinct the louder they play on their new record. The achievement here is how they got together and weaved together the intricate parts of these songs, and they’d do well to continue to shift their focus in that direction.
// Sound Affects
"The man whose songs were recorded by Johnny Cash, Alan Jackson, Ricky Skaggs, David Allan Coe, The Highwaymen, and countless others succumbs to time’s cruel cue that the only token of permanence we have to offer are the effects of shared moments and memories.READ the article