Charlemagne Palestine / Joachim Montessuis

Voxorgachitectronumputer

by John Garratt

11 September 2011

 
cover art

Charlemagne Palestine/Joachim Montessuis

Voxorgachitectronumputer

(Sub Rosa)
US: 5 Jul 2011

The title Voxorgachitectronumputer is an unpronounceable mouthful. It also tells you everything you need to know about what’s inside. Taken from a 2007 duet performance, this hour-long piece has deceptively few elements to it. Minimalist composer Charlemagne Palestine provides the organ and a few vocal contributions and Paris-based noise sculptor Joachim Montessuis gives you the dominant vocal performance and the coloring electronics. One chord, or perhaps a simple interval, sustains about a third of the piece while overtones come and go only occasionally in the form of a pulse. The varying, interjecting noises can vary between subtle and jarring, the latter of which is especially strange. Most delightful of all is Montessuis’ downright creepy voice manipulation, a presence puncturing the damage that Palestine’s altered harmony has already done. The fact that it’s so moody and non-musical is what makes it unique.

Voxorgachitectronumputer

Rating:

 

We all know how critical it is to keep independent voices alive and strong online. Please consider a donation to support our work as an independent publisher devoted to the arts and humanities. Your donation will help PopMatters stay viable through these changing and challenging times where advertising no longer covers our costs. We need your help to keep PopMatters publishing. Thank you.

 


//comments
//Mixed media
//Blogs

20 Questions: Nashville Singer-Songwriter Natalie Hemby

// Sound Affects

"Natalie Hemby's Puxico is a standout debut from a songwriter who has been behind the scenes for over a decade.

READ the article