Charlemagne Palestine / Joachim Montessuis

Voxorgachitectronumputer

by John Garratt

11 September 2011

 
cover art

Charlemagne Palestine/Joachim Montessuis

Voxorgachitectronumputer

(Sub Rosa)
US: 5 Jul 2011

The title Voxorgachitectronumputer is an unpronounceable mouthful. It also tells you everything you need to know about what’s inside. Taken from a 2007 duet performance, this hour-long piece has deceptively few elements to it. Minimalist composer Charlemagne Palestine provides the organ and a few vocal contributions and Paris-based noise sculptor Joachim Montessuis gives you the dominant vocal performance and the coloring electronics. One chord, or perhaps a simple interval, sustains about a third of the piece while overtones come and go only occasionally in the form of a pulse. The varying, interjecting noises can vary between subtle and jarring, the latter of which is especially strange. Most delightful of all is Montessuis’ downright creepy voice manipulation, a presence puncturing the damage that Palestine’s altered harmony has already done. The fact that it’s so moody and non-musical is what makes it unique.

Voxorgachitectronumputer

Rating:

 

We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work as independent cultural critics and historians. Your donation will help PopMatters stay viable through these changing and challenging times. Thanks everyone.

//comments
//Mixed media
//Blogs

Violin Virtuoso L. Subramaniam Mesmerizes in Rare New York Performance (Photos)

// Notes from the Road

"Co-presented by the World Music Institute, the 92Y hosted a rare and mesmerizing performance from India's violin virtuoso L. Subramaniam.

READ the article