The New Mastersounds

Breaks From the Border

by David Maine

27 October 2011

 

Funk-tastic, funk-alicious, funk-I'm-running-out-of-adjectives

cover art

The New Mastersounds

Breaks From the Border

(Tallest Man)
US: 9 Aug 2011
UK: 8 Aug 2011

The New Mastersounds are a rip-snortin’ smoke-breathin’ funk monster hailing from England of all places. Over the course of six albums, the band has proven itself to be adept at carrying on the wah-wah pedaling, booty-shaking, bass-on-the-one’ing tradition of the almighty funk groove. Breaks from the Border, recorded in six frenetic days at a studio in Tomillo, Texas, shows the band at the top of its game, with the addition of—wait for it—vocals.

This was a smart move, because let’s face it, even the funkiest of instrumentals pales after repeated listening. This time, the band opts for chanted or shouted vocal contributions from all four members, which adds to the deliciously freewheeling party vibe without descending into, you know, ballad territory or something.  Opener “Take What You Need,” sets the standard for the album as a whole, with its shuffling groove, thumping bass, and guitar accents.  Follow-up track “Run the Gauntlet” increases the tempo and drops the vocals but leaves the other elements intact.  “On the Border” combines a sexy, shuffling rhythm with gurgling organ, while “Freckles” and “Passport” fight it out for the Most Infectious Bassline Award.  At this point you realize you’re barely halfway through the record. Fear not. Apart from the final track “Up In the Air”, which is the only big misstep, the back half of the album is as strong as the opening six tracks, maintaining the energy and musicianship while managing to avoid repetition, even on the seven-minute “Can You Get It?” Next time you’re looking for something upbeat and bouncy, this is the border you should run to.

Breaks From the Border

Rating:

//comments
//related
//Mixed media
//Blogs

Speak of the Blue Devil: The Moody Grooves of Andy Kayes

// Sound Affects

"Andy Kayes' latest album of mercurial hip-hop finds the rapper putting the boom back in boom bap, one beat at a time.

READ the article