By giving one of his techno projects a name like Planetary Assault Systems, techno musician and DJ Luke Slater has more or less made his music out to be something quite epic. Be under no illusions, though: The Messenger is a largely chill affair, one dominated largely by texture and repetition. The press materials for the album tout it as “club-ready” and easily listenable; unfortunately, despite that promotional statement, The Messenger is actually a rather drab listen.
Though the album claims to be club-ready, it’s hard to imagine this music being the sort to get people moving. There are beats and grooves present, but they feel subdued instead of lively. Even when the pace picks up, like on album closer “Black Tea”, it still doesn’t sound like the pulsating, intense music that is often found in clubs. For the most part, the album sounds not like something one would listen to on his or her own, but instead as something that could be played alongside other music to give a DJ the ability to mix the music together. By itself, most of this music just drags on and on in its own repetitions, none of which entrance in the way that great minimalism does. Though genres like micro-ambient have demonstrated that electronic music can be repetitively minimal and still be engaging, here the music feels like a restrained experiment. Slater’s skill and reputation as a techno DJ are still noteworthy, but one ought to look for other records aside from The Messenger to get a more apt demonstration of his talent.
// Sound Affects
"The man whose songs were recorded by Johnny Cash, Alan Jackson, Ricky Skaggs, David Allan Coe, The Highwaymen, and countless others succumbs to time’s cruel cue that the only token of permanence we have to offer are the effects of shared moments and memories.READ the article