I know No Depression has morphed from a late, great magazine to a thriving online community, but it just ain’t the same. For one thing, the two guys and a gal who make up the British trio the Good Intentions will never get a “Town and Country” write-up in the venerable alt-country mag, and their classicist take on the last fifty years of country would’ve made a perfect fit, too (The band recently won “Americana Act of the Year” at the 2011 British Country Music Awards). Led by thistle-sharp songwriter Peter Davies, the trio tackles all the classic country/folk tropes—trains, booze, fatalistic coal miners, the devil—with a keen, writerly eye. With a rich sound full of pedal and lap steel guitars, mandolins, fiddles, accordions and warm harmonies courtesy of band mates, Gabrielle Monk and Francesco Roskell, plus nearly a dozen musical friends, Davies runs the gamut from clever wordplay (“Dying on the vine was never the plan” goes the gently swinging “Everybody Loves A Drinking Man”) to hopeful truth (“Western Lullaby”‘s “At the end of every journey is a place that you belong”) with an organic quality and a sincerity that never feels like shtick (unlike, say, fellow travelers Blanche). Honest, true and plainspoken, Someone Else’s Time is the kind of album that deserves to find an appreciative post-No Depression audience.
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// Sound Affects
"The man whose songs were recorded by Johnny Cash, Alan Jackson, Ricky Skaggs, David Allan Coe, The Highwaymen, and countless others succumbs to time’s cruel cue that the only token of permanence we have to offer are the effects of shared moments and memories.READ the article