The fifth album from San Diegan Carolann Ames, Laurel Canyon Road, cleaves to traditional country instrumentation, arrangements and themes via songs such as “Bed Of Roses”, “Steel Rose”, and the Richard Thompson-esque “Blessed Is The Love That Abides”. Elsewhere, songs such as “Not Sorry Anymore” and “Sugar Creek” take listeners into CMT land—you can almost picture the sepia-toned videos and quick dissolves. It’s not so much that the worlds which Ames straddles cannot be reconciled, but more that she seems far more comfortable in the former, but better at the latter. Without a thoroughly distinct identity or material that busts through the speakers like a bullet from a Colt 45, Laurel Canyon Road meanders without any destination.
- Multiple songs MySpace
We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work as independent cultural critics and historians. Your donation will help PopMatters stay viable through these changing and challenging times where costs have risen and advertising has dropped precipitously. We need your help to keep PopMatters strong and growing. Thank you.
"PopMatters (est. 1999) is a respected source for smart long-form reading on a wide range of topics in culture. PopMatters serves as…READ the article