Max Cady

Wicked Ways

by Stephen Haag

14 February 2012

cover art

Max Cady

Wicked Ways

(Sidearm Entertainment)
US: 28 Oct 2011
UK: 28 Oct 2011

For the riff delivery system that is Max Cady, there’s only one way to rock on the band’s third album, Wicked Ways: hot as a firecracker on the Fourth of July (and yes, that’s a clumsy Cape Fear reference). The Dallas-based foursome, led by Justin Moore, has been kicking around since the mid-oughts, with a few line-up changes, and for hard rock fans not interested in post-post-post grunge nonsense from the likes of Nickelback and Hinder, these guy fill the bill nicely, falling somewhere between ‘70s lunkhead rock (your critic says lovingly) and a leather-clad motorcycle gang. From the opening stomp of the title track to Sabbath-y centerpiece “Jimmy Swagger”, and the strutting “Bloody Fists”, there’s nothing here you haven’t blasted from your T-Bird while doing donuts in the high school parking lot, but it’s done it well. Lone demerit “Genghis Khan” not only fails to mention the titular marauder, but is saddled with a beneath-contempt chorus of “Shit is always shit”. You don’t say! Max Cady are completely unoriginal, even by the standards of the genre. Yet in a world that’s largely turned its back on this style of hard rock, the group’s commitment to The Riff is admirable.

Wicked Ways



We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work as independent cultural critics and historians. Your donation will help PopMatters stay viable through these changing and challenging times where costs have risen and advertising has dropped precipitously. We need your help to keep PopMatters strong and growing. Thank you.


//Mixed media

Saul Williams Commands Attention at Summerstage (Photos + Video)

// Notes from the Road

"Saul Williams played a free, powerful Summerstage show ahead of his appearance at Afropunk this weekend.

READ the article