Choosing to name his record after one of the most critically revered metal albums of the last decade (Mastadon’s 2006 LP Blood and Thunder) didn’t have to be a bold choice for Matthias Sturm. After all, there only so many things one can name an album. But after a listen to this brief album, one might lament for Mastadon’s take on the title, despite the fact that it’s in an entirely different genre. Blood and Thunder as done here is pleasant enough. It could make nice music for a scenic country drive or a picnic in a wind-swept field of freshly cut grass. Even though in those moments the album would be complementary to the scenery, it’d still be as inoffensive as it is during a casual listen. The album’s one saving grace could have been its diversity; there’s folk (the title track), strange detours into French (“L’Heure”), and indie that sounds ready to be the ending credits music to the next Wes Anderson movie (“Homesick”). Yet these individual moments never get close to making up a memorable whole, and as a result the album is at best elevator music for those with an indie folk sensibility and at worst something one is only likely to give a passing listen.
// Notes from the Road
"Powerful Chicago soul-singer dips into the '60s and '70s while dabbling in Urdu, Punjabi and Italian.READ the article