Jasmine Ash

Beneath the Noise

by David Maine

14 March 2012

 

Would-be pop superstar cobbles together her influences

cover art

Jasmine Ash

Beneath the Noise

(Lip Sync)
US: 14 Feb 2012
UK: Import

Sometimes, all we ask of our pop chanteuses is a bit of competence—a pretty voice, a clear melody, some decent production. In all of these ways, Jasmine Ash delivers the goods. The opening burble of lead track “Cut Up” segues nicely into an uptempo, Alanis Morissette-ish almost rocker, not too far removed from “You Oughta Know” in every regard apart from, y’know, rage. Subsequent tunes channel everything from Tori Amos warblings to ‘80s synthpop to The Innocence Mission to Motown-era Jackson 5, with the standout track probably being the take-no-prisoners dancefloor stomp of “Move On.” Ash’s little-girl voice isn’t particularly powerful, but she can carry a tune, while the production (by Jacques Brautbar and Sam Farrar) is slick and lively. Depending on the listener, a record like this is either derivative and dull, or else a clever synthesis of myriad influences. Myself, I’m leaning toward derivative. It’s pretty enough, sure, but it all sounds eerily familiar.

Beneath the Noise

Rating:

 

We all know how critical it is to keep independent voices alive and strong on the Internet. Your donation will help PopMatters stay viable through these changing and challenging times.

//comments
//Mixed media
//Blogs

Beyoncé and When Music Writing Becomes Activism

// Sound Affects

"The overall response to Beyoncé's "Formation" has been startlingly positive, but mostly for reasons attached to political agendas. It's time to investigate this trend.

READ the article