Call for Essays About Any Aspect of Popular Culture, Present or Past

Music
cover art

El Doom & The Born Electric

El Doom & The Born Electric

(Rune Grammofon; US: 27 Mar 2012; UK: 12 Mar 2012)

It’s not often one gets a chance to review an album with a song entitled “Subtle as a Shithouse”, but from the moment I saw that on the track list of El Doom & The Born Electric’s self-titled debut, I knew I was going to be in for an interesting ride. Sadly, however, by the time the album’s had concluded, I was surprisingly underwhelmed. Sure, all the musicians are technically impressive, but none of these seven songs manage to rise above the level of jam fare. The band is at least honest about its straightforward prog intentions, but that doesn’t make it any more interesting. In their own parlance, this record is “Subtle as a Shithouse”.

Rating:

Brice Ezell is the Assistant Editor of PopMatters, where he also reviews music, film, and books, which he has done since 2011. He also is the creator of PopMatters' Notes on Celluloid column, which covers the world of film music. His writing also appears in Sea of Tranquility and Glide Magazine (formerly Hidden Track). His short story, "Belle de Jour", was published in 67 Press' inaugural publication The Salmagundi: An Anthology. You can follow his attempts at wit on Twitter and Tumblr if you're so inclined. He lives in Chicago.


Media
El Doom & The Born Electric - Album Preview
discussion by

Comments
Now on PopMatters
PM Picks
Announcements

© 1999-2014 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.