Jean-luc Fafchamps

KDGhZ2SA, a Six-Letter Sufi Word

by Josh Langhoff

24 May 2012

 
cover art

Jean-luc Fafchamps

KDGhZ2SA

(Sub Rosa)
US: 10 Apr 2012
UK: 19 Mar 2012

Belgian composer Jean-Luc Fafchamps writes in an appealingly post-everything style, with diatonic minimalist gestures butting up against wheezy microtonal drones and so forth. Fafchamps’s latest muse is the Arabic alphabet, specifically a Sufi chart assigning certain characteristics to the various letters; he’s in the midst of writing an ode to each letter. This progress report documents a concert performance of his first “word”, which is—how about that?—paced like a concert.

“K” opens the show with big, gregarious horn fanfares, string flourishes, and heavy percussion; the lighter “D” contrasts pinched ostinatos with colorful clarinet and percussion runs. “Gh” slows everything down to a 14-minute gasp before a distorted oboe concerto and pastoral woodwind feature carry us through to the brawling open-form finale, which incorporates some of what we’ve already heard. Despite the conventional shape of the program, the individual “letters” don’t develop like musical narratives; they communicate a sense of stasis, even as their unique timbres and effects keep them revolving in your mind’s eye.

KDGhZ2SA

Rating:

 

We all know how critical it is to keep independent voices alive and strong online. Please consider a donation to support our work as an independent publisher devoted to the arts and humanities. Your donation will help PopMatters stay viable through these changing and challenging times where advertising no longer covers our costs. We need your help to keep PopMatters publishing. Thank you.

 


//comments
//related
//Mixed media
//Blogs

20 Questions: Nashville Singer-Songwriter Natalie Hemby

// Sound Affects

"Natalie Hemby's Puxico is a standout debut from a songwriter who has been behind the scenes for over a decade.

READ the article