This New Orleans outfit delivers off-kilter, intricate dance-pop on their new full length, Heavy Halo. As the title implies, there’s a lightness—or a brightness—to these songs, but it comes through in thick, weighty layers of sound, from the plinking guitars and heady keys of “Mach Bach” to the ringing hooks and vocal harmonies of “Baby Octopus”. These songs may remind you of the electro-rock high-flying of MGMT, but it’s got all the texture and complexity of any chamber-pop group you can think of.
The results are hooks that hit immediately, but details that keep the song sticking with you. Unfortunately, the lyrics don’t quite have the same knack. There’s plenty of stock imagery, from the lonely barflys to people who are both the “one” and the “only”. Songs seem to take place in any bar, in any “cold”. So while the music is definitively theirs, the lyrics feel too anonymous for their own good. Still, Heavy Halo is a sweet listen, even if you’re not always sure what the point of that sweet sound is by the end.
// Notes from the Road
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