It has always been a source of confusion, and some irritation if I’m honest, that Flobots have failed to attract a larger audience or wider critical acclaim. They follow in the lineage of bands like Disposable Heroes of Hiphoprosy, Rage Against the Machine, and Consolidated (to name but three) with their mix of rap, rock, and politics. The Circle in the Square builds on the Flobots’ catalogue. The sound doesn’t change, necessarily, but on tracks such as “Run (Run Run Run)” (with its refrain “Run run run / The revolution has began”), “Wrestling Israel”, and “Journey After (War Fatigues)”, it’s clear their fire burns as brightly as it has always done.
Like the three bands I mentioned at the top of this review, Flobots’ politics have never seemed to be rammed down the listener’s throats. Rather, it is the music that first grabs you—melodic, rhythmic, and powerful—and then the vocals—a great half-sung, half-rapped mix. A track such as “Loneliness”, with its violins, drums, bass and gentle vocal delivery, highlights the dexterity of Flobots. Flobots’ message and music deserve a bigger audience. Flobots are a continually excellent and relevant band that actually stand for something.
- Multiple songs SoundCloud
We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work as independent cultural critics and historians. Your donation will help PopMatters stay viable through these changing and challenging times where costs have risen and advertising has dropped precipitously. We need your help to keep PopMatters strong and growing. Thank you.
"PopMatters (est. 1999) is a respected source for smart long-form reading on a wide range of topics in culture. PopMatters serves as…READ the article